Contemporary art in print : the publications of Charles Booth-Clibborn and his imprint the Paragon Press 1995-2000
著者
書誌事項
Contemporary art in print : the publications of Charles Booth-Clibborn and his imprint the Paragon Press 1995-2000
Booth-Clibborn Editions, 2001
大学図書館所蔵 全12件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
Since The Paragon Press was founded in 1986, it has established a reputation as one of the major print publishers of our time. Based in London, Paragon specialises in producing original print series by leading contemporary British artists, including Damien Hirst, Gary Hume, Anish Kapoor and Rachel Whiteread. This book illustrates and documents all twenty-five projects produced between 1995 and 2000, a period which has witnessed an extraordinary growth in interest in contemporary British art. Most of the series contain around 10 prints each, while some are much larger: the Chapmans' Disasters of War set comprises 83 separate etchings. Working in series, the artists have created narratives, or through repetition and emphasis have built a larger, grander statement than would be possible with single prints. In this way each project counts as an exhibition in itself, and most have taken months, if not years, to complete. The print techniques include screenprint, etching, linocut, woodcut and pigment prints.
The book contains a foreword by Charles Booth-Clibborn, founder of The Paragon Press, an introduction by Patrick Elliott, Assistant Keeper at the Scottish National Gallery of Modern Art in Edinburgh, and an essay by Jeremy Lewison, Keeper of Collections at the Tate, London. The print projects are illustrated in colour in chronological order and are followed by detailed narratives, mainly based on in-depth interviews, by Patrick Elliott. There are biographies and bibliographies of each artist. The book offers a thorough and indispensible survey of the many different trends in Contemporary British Art.
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