Computer sound synthesis for the electronic musician
著者
書誌事項
Computer sound synthesis for the electronic musician
(Music technology series)
Focal Press, 1998
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
System requirements for accompanying computer disc: IBM PC with 166 microprocessor; Windows 95; 800x600 color (256); SoundBlaster AWE64 Gold card; Microsoft Internet Explorer recommended; or PowerMac 7100/80W; Mac OS7.5.5; 640x480 color
Includes bibliographical references (p. 194-196) and index
内容説明・目次
内容説明
Introduce computer sound synthesis techniques and synthesis programming to students, researchers, musicians and enthusiasts in the field of music technology.
Miranda examines a variety of synthesis techniques and illustrates how to turn a personal computer into a powerful and flexible sound synthesiser. The book also discusses a number of ongoing developments that may play an important role in the future of electronic music making, including the use of Artificial Intelligence techniques in synthesis software and parallel computers.
Computer sound synthesis is becoming increasingly attractive to a wide range of musicians. The sound processing power of the computer is increasing and any personal computer will soon be able to run software in real-time, capable of synthesising sounds using every possible technique.
The art of sound synthesis is as important for the electronic musician as the art of orchestration is important for symphonic music composers. Those who wish to create their own virtual orchestra of electronic instruments and produce original sounds will find this book invaluable.
The accompanying CD-ROM contains examples, complementary tutorials and a number of synthesis systems for PC and Macintosh platforms, ranging from low level synthesis programming languages to graphic front-ends for instrument and sound design. These include fully working packages, demonstration versions of commercial software and experimental programs from top research centres in Europe, North and South America.
目次
- Computer sound synthesis fundamentals
- Introduction to the software on the accompanying CD-ROM
- Loose modelling techniques
- Physical modelling techniques
- Time modelling techniques
- Spectral modelling techniques
- Instrument and sound design
- Towards the cutting edge
- Mathematical specifications
「Nielsen BookData」 より