Women musicians in Victorian fiction, 1860-1900 : representations of music, science and gender in the leisured home
著者
書誌事項
Women musicians in Victorian fiction, 1860-1900 : representations of music, science and gender in the leisured home
（Music in 19th-century Britain）
Ashgate, c2000
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注記
Includes index
内容説明・目次
内容説明
Phyllis Weliver investigates representations of female musicians in British novels from 1860 to 1900 with regard to changing gender roles, musical practices and scientific discourses. During this time women were portrayed in complex and nuanced ways as they played and sang in family drawing rooms. Women in the 19th century were judged on their manners, appearance, language and other accomplishments such as sewing or painting, but music stood out as an area where women were encouraged to take centre stage and demonstrate their genteel education, graceful movements and self-expression. However within the novels of the Victorian were begining to move away from portraying the musical accomplishments of middle- and upper-class women as feminine and worthwhile towards depicting musical women as truly dangerous. This book explores the reasons for this reaction and the way labels and images were constructed to show extremes of behaviour, and it looks at whether the fiction was depicting the real trends in music at the time.
目次
- Musical women in England, 1860-1900
- harmony and discord in the self - music, mesmerism and mental science
- female power in sensation fiction
- dissonance and fugue in the "Mystery of Edwin Drood"
- George Eliot - melody, evolution and aesthetics
- recapitulation and natural selection in "The Mill on the Floss"
- sexual selection and music - "Middlemarch" and "Daniel Deronda"
- conclusion - "Trilby".
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