Stones of the Sur
著者
書誌事項
Stones of the Sur
Stanford University Press, c2001
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
内容説明・目次
内容説明
The precipitous cliffs, rolling headlands, and rocky inlets of the Big Sur coast of California were alive for Robinson Jeffers, and throughout his long career as a poet, he extolled their wild beauty. His vivid descriptions inspired the best work of other artists who lived nearby, including such noted photographers as Edward Weston, Ansel Adams, and their younger contemporary Morley Baer.
Before he died in 1995, Baer was planning a volume that would bring together a group of his landscape photographs of the Big Sur area with a selection of poems that expressed Jeffers's mystical experience of stone. Jeffers believed that stone is alive, perhaps even conscious in some way. Baer wanted to create a visual and literary meditation on the life-experience of stone. James Karman was invited by Baer to serve as his collaborator, and has brought the project to completion-more than 50 of Baer's photographs paired with poems by Jeffers (some complete, others excerpted).
Stones of the Sur is in five parts, each of which takes its title from a poem. Part I, "Tor House," contains photographs and poems about Jeffers's home, ever the locus of his inspiration. Part II, "Continent's End," begins with a panoramic view of the coastline and is followed by visual and textual images that become progressively narrower in scope as Baer and Jeffers focus on the mountains, cliffs, beaches, boulders, rocks, and pebbles of the Big Sur.
The inward progression continues in Part III, "Oh Lovely Rock," where Baer trains his lens on close surfaces-revealing his sensibilities at their most abstract. From the middle of Part III on, the spiral is reversed and the view begins to open. Part IV, "Credo," expands outwardly from the pebbles and rocks of the Big Sur back to the beaches, cliffs, and mountains. Part V, "The Old Stone-Mason," concludes the book with a return to Tor House.
目次
- 1. Introduction: a note on selection and organization
- 2. Tor House
- 3. Continent's end
- 4. Oh lovely rock
- 5. Credo
- 6. The old stone-mason
- List of poems
- List of photographs.
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