Dpal Nā-ro Mkha'-spyod-dbaṅ-mo'i lam rim pa gñis kyi zab khrid ji ltar nos pa'i zin bris śin tu gsaṅ ba gnas gsum mkha' 'gro'i sñiṅ bcud ces bya ba bźugs so
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Bibliographic Information
Dpal Nā-ro Mkha'-spyod-dbaṅ-mo'i lam rim pa gñis kyi zab khrid ji ltar nos pa'i zin bris śin tu gsaṅ ba gnas gsum mkha' 'gro'i sñiṅ bcud ces bya ba bźugs so
Tibetan Cultural Printing Press, 1979
- Other Title
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དཔལ་ནཱ་རོ་མཁའ་སྤྱོད་དབང་མོའི་ལམ་རིམ་པ་གཉིས་ཀྱི་ཟབ་ཁྲིད་ཇི་ལྟར་ནོས་པའི་ཟིན་བྲིས་ཤིན་ཏུ་གསང་བ་གནས་གསུམ་མཁའ་འགྲོའི་སྙིང་བཅུད་ཅེས་བྱ་བ་བཞུགས་སོ
Dpal Nā-ro Mkhaʾ-spyod-dbaṅ-moʾi lam rim pa gñis kyi zab khrid ji ltar nos paʾi zin bris śin tu gsaṅ ba gnas gsum mkhaʾ ʾgro'i sñiṅ bcud ces bya ba bźugs so
dpal n'a ro mkha' spyod dbang mo'i lam rim pa gnyis kyi zab khrid ji ltar nos pa'i zin bris shin tu gsang ba gnas gsum mkha' 'gro'i snying bcud ces bya ba bzhugs so
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Note
In Tibetan
Author's name from colophon
Pecha style
Summary: Lecture notes of the author's explanation of the processes of emanation and realization (utpattikrama and utpannakrama) in the tantric practices connected with Khecari, a special form of Vajrayogini, or Vajravarahi, as visualized by Naropa
