Documents of ancient Greek music : the extant melodies and fragments edited and transcribed with commentary
著者
書誌事項
Documents of ancient Greek music : the extant melodies and fragments edited and transcribed with commentary
Clarendon Press, 2001
大学図書館所蔵 全16件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [200]-207) and indexes
内容説明・目次
内容説明
This uniquely complete and up-to-date collection of the surviving remains of ancient Greek music will serve as the standard work of reference for decades to come. Since its appearance in 1970, Egert Pohlmann's Denkmaler altgriechischer Musik has been the standard collection of the surviving fragments of ancient Greek music. But the publication of many further texts in recent years has put it in urgent need of updating. In this new English edition, prepared in
collaboration with Martin West, the number of items has risen to 61, of which 23 are additions to the content of the 1970 book. They extend from the fifth century BC to the third or fourth AD, and afford a clearer perception than hitherto of how Greek music evolved over time. All the texts, new and old,
have been carefully revised against the original documents or photographs, and many improved readings have been obtained as a result.
Each item is given in diplomatic transcript with the ancient music notation, transcription into modern musical notation (except in the case of the smallest fragments), a double critical apparatus for the notation and the poetic text, and a commentary explaining the source and nature of the document, the history of its discovery and study, the musical scales used in it, and any other features of the music or its notation that call for comment. Good-quality photographs are provided for most
items, exception being made for some items of which images are relatively easily accessible elsewhere, for example in the volumes of the Oxyrhynchus Papyri.
All who are interested in ancient Greek music, whether as an aspect of Hellenic culture or as a chapter of high importance in the early history of music generally, will welcome this comprehensive scholarly presentation of the source material by the two leading experts in the field.
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