Mannerism and baroque in seventeenth-century French poetry : the example of Tristan L'Hermite
著者
書誌事項
Mannerism and baroque in seventeenth-century French poetry : the example of Tristan L'Hermite
（North Carolina studies in the Romance languages and literatures, no. 269）
U.N.C. Dept. of Romance Languages, 2001
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注記
Originally presented as the author's thesis (Ph. D.)--University of North Carolina at Chapel Hill, 1997, under the title: Mannerism and baroque in the poetry of Tristan L'Hermite
Includes bibliographical references (p. 176-181) and indexes
内容説明・目次
内容説明
This book examines mannerism and baroque in the poetry of Tristan L'Hermite, a leading lyric poet of the seventeenth century. After presenting a history of scholarship on both the mannerist and baroque styles, James Shepard offers a definition of each as it applies to seventeenth-century lyric poetry. He then turns to Tristan's works, examining the poems contained in the Plaintes d'Acante et autres ouvres, Les Amours, La Lyre, and the Vers heroiques; his religious poetry; La Renomme; and his recently discovered poems.
Shepard reveals Tristan's amatory poetry to be mannerist and his heroic and religious poetry to be baroque. Many poems, however, contain elements of both styles. This supports Frank J. Warnke's theory that Baroque is the period style, with mannerism and baroque being two aspects of the period. Shepard also uncovers a baroque dompte style-the toned-down baroque that Helmut Hatzfeld and others argue characterized French classicism-in some of Tristan's heroic and religious poetry.
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