Others
Author(s)
Bibliographic Information
Others
(Princeton paperbacks)
Princeton University Press, c2001
- : pbk
Available at 20 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references and index
Description and Table of Contents
Description
This volume fulfills the author's career-long reflections on radical otherness in literature. J. Hillis Miller investigates otherness through ten nineteenth- and twentieth-century authors: Friedrich Schlegel, Charles Dickens, George Eliot, Anthony Trollope, Joseph Conrad, W. B. Yeats, E. M. Forster, Marcel Proust, Paul de Man, and Jacques Derrida. From the exquisite close readings for which he is celebrated, Miller reaps a capacious understanding of otherness--one reachable not through theory but through literature itself. Otherness has wide valence in contemporary literary and cultural studies and is often understood as a misconception by hegemonic groups of subaltern ones. In a pleasing counter to this, Others conceives of otherness as something that inhabits sameness. Instances of the "wholly other" within the familiar include your sense of self or your beloved, your sense of your culture as such, or your experience of literary, theoretical, and philosophical works that belong to your own culture--works that are themselves haunted by otherness.
Though Others begins and ends with chapters on theorists, the testimony they offer about otherness is not taken as more compelling than that of such literary works as Dicken's Our Mutual Friend, Conrad's "The Secret Sharer," Yeats's "Cold Heaven," or Proust's Remembrance of Things Past. Otherness, as this book finds it in the writers read, is not an abstract concept. It is an elusive feature of specific verbal constructs, different in each case. It can be glimpsed only through close readings that respect this diversity, as the plural in the title--Others--indicates. We perceive otherness in the way that the unseen--and the characters' emotional responses to it--ripples the conservative ideological surface of Howard's End. We sense it as chaos in Schlegel's radical concept of irony. And we gaze at it in the multiple personifications of Heart of Darkness. Each testifies in its own way to the richness and tangible weight of an otherness close at hand.
Table of Contents
Acknowledgments ix Introduction 1 CHAPTER ONE Friedrich Schlegel: Catachreses for Chaos 5 CHAPTER TWO: Charles Dickens: The Other's Other in Our Mutual Friend 43 CHAPTER THREE: George Eliot: The Roar on the Other Side of Silence 65 CHAPTER FOUR: Anthony Trollope: Ideology as Other in Marion Fay 83 CHAPTER FIVE: Joseph Conrad: Should We Read Heart of Darkness? 104 CHAPTER SIX: Conrad's Secret 137 CHAPTER SEVEN: W B. Yeats: "The Cold Heaven" 170 CHAPTER EIGHT: E. M. Forster: Just Reading Howards End 183 CHAPTER NINE: Marcel Proust: Lying as a Recherche Tool 206 CHAPTER TEN: Paul de Man as Allergen 219 CHAPTER ELEVEN: Jacques Derrida's Others 259 Coda 276 Index 277
by "Nielsen BookData"