The Great Exhibition of 1851 : new interdisciplinary essays
Author(s)
Bibliographic Information
The Great Exhibition of 1851 : new interdisciplinary essays
(Texts in culture)
Manchester University Press , Distributed exclusively in the USA by Palgrave, 2001
- : hardback
- : pbk
Available at 19 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Bibliography: p. [207]-209
Includes index
Description and Table of Contents
- Volume
-
: hardback ISBN 9780719055911
Description
The Great Exhibition of 1851 has become a touchstone for the nineteenth century. The Crystal Palace produced a commodity world, an imperial spectacle, a picture of capitalism, a liberal dream, a vision of modern life. Historians have saturated the Great Exhibition with meanings.
This collection of essays exposes how meaning has been produced around the Great Exhibition. It contains a series of critical readings of the official and popular historical record of the Exhibition. Critics and historians of art, culture, design and literature have been brought together to examine the objects, the images, the documents and the fictions of 1851. Their essays explore the determined use of industrial knowledge, the contested definitions of nation and colony, and the actual control of the space of the Crystal Palace after the Great Exhibition closed.
The Great Exhibition of 1851 presents new interpretations of one of the most significant exhibitions in the nineteenth century and will be essential reading for anyone studying cultural history, design history, art history and literature. -- .
Table of Contents
- Introduction
- 1. The accumulation of knowledge or, William Whewell's eye - Steve Edwards
- 2. An industrial vision: the promotion of technical drawing in mid-Victorian Britain Refael Cardoso Denis
- 3. Entrepreneurship and the artisans: John Cassell, the Great Exhibition and the periodical idea - Brian Maidment
- 4. An appropriated space: the Great Exhibition, the Crystal Palace and the working classes - Peter Gurney
- 5. The Official Catalogue of the Great Exhibition: progress, political economy, imperialism - Louise Purbrick
- 6. Narrating the subcontinent in 1851: India at the Crystal Palace - Lara Kriegel
- 7. Thackeray and Punch at the Great Exhibition: authority and ambivalence in verbal and visual caricatures - Richard Pearson
- Select bibliography
- Volume
-
: pbk ISBN 9780719055928
Description
The Great Exhibition of 1851 has become a touchstone for the nineteenth century. The Crystal Palace produced a commodity world, an imperial spectacle, a picture of capitalism, a liberal dream, a vision of modern life. Historians have saturated the Great Exhibition with meanings.
This collection of essays exposes how meaning has been produced around the Great Exhibition. It contains a series of critical readings of the official and popular historical record of the Exhibition. Critics and historians of art, culture, design and literature have been brought together to examine the objects, the images, the documents and the fictions of 1851. Their essays explore the determined use of industrial knowledge, the contested definitions of nation and colony, and the actual control of the space of the Crystal Palace after the Great Exhibition closed.
The Great Exhibition of 1851 presents new interpretations of one of the most significant exhibitions in the nineteenth century and will be essential reading for anyone studying cultural history, design history, art history and literature. -- .
Table of Contents
Introduction: Louise Purbrick
1. The accumulation of knowledge or, William Whewell's eye - Steve Edwards
2. An industrial vision: the promotion of technical drawing in mid-Victorian Britain - Rafael Cardoso Denis
3. Entrepreneurship and the artisans: John Cassell, the Great Exhibition and the periodical idea - Brian Maidment
4. An appropriated space: the Great Exhibition, the Crystal Palace and the working class - Peter Gurney
5. Narrating the subcontinent in 1851: India at the Crystal Palace - Lara Kriegel
6. Thackeray and Punch at the Great Exhibition: authority and ambivalence in verbal and visual caricatures - Richard Pearson
Notes on contributors
Select bibliography
Index -- .
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