The Great Exhibition of 1851 : new interdisciplinary essays

Author(s)
    • Purbrick, Louise
Bibliographic Information

The Great Exhibition of 1851 : new interdisciplinary essays

Louise Purbrick, editor

(Texts in culture)

Manchester University Press , Distributed exclusively in the USA by Palgrave, 2001

  • : hardback
  • : pbk

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Note

Bibliography: p. [207]-209

Includes index

Description and Table of Contents
Volume

: hardback ISBN 9780719055911

Description

The Great Exhibition of 1851 has become a touchstone for the nineteenth century. The Crystal Palace produced a commodity world, an imperial spectacle, a picture of capitalism, a liberal dream, a vision of modern life. Historians have saturated the Great Exhibition with meanings. This collection of essays exposes how meaning has been produced around the Great Exhibition. It contains a series of critical readings of the official and popular historical record of the Exhibition. Critics and historians of art, culture, design and literature have been brought together to examine the objects, the images, the documents and the fictions of 1851. Their essays explore the determined use of industrial knowledge, the contested definitions of nation and colony, and the actual control of the space of the Crystal Palace after the Great Exhibition closed. The Great Exhibition of 1851 presents new interpretations of one of the most significant exhibitions in the nineteenth century and will be essential reading for anyone studying cultural history, design history, art history and literature. -- .

Table of Contents

  • Introduction
  • 1. The accumulation of knowledge or, William Whewell's eye - Steve Edwards
  • 2. An industrial vision: the promotion of technical drawing in mid-Victorian Britain Refael Cardoso Denis
  • 3. Entrepreneurship and the artisans: John Cassell, the Great Exhibition and the periodical idea - Brian Maidment
  • 4. An appropriated space: the Great Exhibition, the Crystal Palace and the working classes - Peter Gurney
  • 5. The Official Catalogue of the Great Exhibition: progress, political economy, imperialism - Louise Purbrick
  • 6. Narrating the subcontinent in 1851: India at the Crystal Palace - Lara Kriegel
  • 7. Thackeray and Punch at the Great Exhibition: authority and ambivalence in verbal and visual caricatures - Richard Pearson
  • Select bibliography
Volume

: pbk ISBN 9780719055928

Description

The Great Exhibition of 1851 has become a touchstone for the nineteenth century. The Crystal Palace produced a commodity world, an imperial spectacle, a picture of capitalism, a liberal dream, a vision of modern life. Historians have saturated the Great Exhibition with meanings. This collection of essays exposes how meaning has been produced around the Great Exhibition. It contains a series of critical readings of the official and popular historical record of the Exhibition. Critics and historians of art, culture, design and literature have been brought together to examine the objects, the images, the documents and the fictions of 1851. Their essays explore the determined use of industrial knowledge, the contested definitions of nation and colony, and the actual control of the space of the Crystal Palace after the Great Exhibition closed. The Great Exhibition of 1851 presents new interpretations of one of the most significant exhibitions in the nineteenth century and will be essential reading for anyone studying cultural history, design history, art history and literature. -- .

Table of Contents

Introduction: Louise Purbrick 1. The accumulation of knowledge or, William Whewell's eye - Steve Edwards 2. An industrial vision: the promotion of technical drawing in mid-Victorian Britain - Rafael Cardoso Denis 3. Entrepreneurship and the artisans: John Cassell, the Great Exhibition and the periodical idea - Brian Maidment 4. An appropriated space: the Great Exhibition, the Crystal Palace and the working class - Peter Gurney 5. Narrating the subcontinent in 1851: India at the Crystal Palace - Lara Kriegel 6. Thackeray and Punch at the Great Exhibition: authority and ambivalence in verbal and visual caricatures - Richard Pearson Notes on contributors Select bibliography Index -- .

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