Counterpoint : based on eighteenth-century practice
著者
書誌事項
Counterpoint : based on eighteenth-century practice
Prentice Hall, c1999
4th ed
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注記
Includes bibliographical references (p. 279-280) and index
内容説明・目次
内容説明
Designed for courses in beginning and advanced counterpoint, this established text introduces the contrapuntal style of 17th and 18th century music through analysis and writing. While a limited understanding of contrapuntal elements may be gained through analysis alone, these elements are grasped in a more intimate way through the actual writing of contrapuntal examples. Also, by linking the study of counterpoint to music of a specific period, the text provides a clear model for students to emulate and a definite basis for the criticism of student work.
目次
- 1. Introduction. 2. The Single Melodic Line. 3. Principles of Two-Voice Counterpoint. 4. Two-Voice Exercises, 1:1, 2:1 5. Chromaticism (Two Voices). 6. Two-Voice Exercises (Concluded). 7. Writing of Short Two-Voice Pieces. 8. Canon. 9. Invertible Counterpoint. 10. The Two-Part Invention
- Motive Development. 11. Three-Voice Counterpoint. 12. Writing of Short Pieces, Three Voices. 13. Imitation in Three Voices. 14. The Three-Part Invention
- The Trio Sonata. 15. Fugue. 16. Fugue (Continued). 17. Fugue (Concluded). 18. Forms Based on the Chorale. 19. Contrapuntal Variation Forms.
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