Mother of my heart, daughter of my dreams : transformations of Kālī and Umā in the devotional poetry of Bengal
著者
書誌事項
Mother of my heart, daughter of my dreams : transformations of Kālī and Umā in the devotional poetry of Bengal
Oxford University Press, c2001
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Bibliography: p. 411-422
Includes index
内容説明・目次
内容説明
This book chronicles the rise and subsequent fortunes of goddess worship (Saktism) in the region of Bengal from the middle of the eighteenth century to the present. The primary documents are the lyrics directed to the goddess, beginning with those of the first of the Sakta lyricist-devotees, Ramprasad Sen (ca. 1718-1775), and continuing up through those of the gifted poet Kazi Nazrul Islam (1899-1976). McDermott places the advent of the Sakta lyric in its historical
context and charts the vicissitudes over time of this form of goddess worship, including the nineteenth century resurgence of Saktism in the cause of Nationalist politics. The main thesis of the book concerns the democratizing and sweetening of Kali and the Bengalization of Uma (and by extension her
husband Shiva). The esoteric tantric Kali of Ramprasad, McDermott shows, is transformed, losing much of her fierce, wild, dangerous, bloody character as she increasingly becomes apprehended as mother by her devoted 'children'. The remarkable and extensive body of poetry McDermott draws on in her study has never been translated into English. Her own translations of a selection of these poems will be published as a companion volume entitled Singing to the Goddess: Poems to Kali and Uma from
Bengal.
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