Re:direction : a theoretical and practical guide

著者

    • Schneider, Rebecca
    • Cody, Gabrielle

書誌事項

Re:direction : a theoretical and practical guide

edited by Rebecca Schneider and Gabrielle Cody

（Worlds of performance）（Routledge/TDR series）

Routledge, 2002

  • : pbk

タイトル別名

Re: direction

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注記

Includes bibliographical references and index

内容説明・目次

内容説明

Re: Direction is an extraordinary resource for practitioners and students on directing. It provides a collection of ground-breaking interviews, primary sources and essays on 20th century directing theories and practices around the world. Helpfully organized into four key areas of the subject, the book explores: * theories of directing * the boundaries of the director's role * the limits of categorization * the history of the theatre and performance art. Exceptionally useful and thought-provoking introductory essays by editors Schneider and Cody guide you through the wealth of materials included here. Re: Direction is the kind of book anyone interested in theatre history should own, and which will prove an indispensable toolkit for a lifetime of study.

目次

  • GENERAL INTRODUCTION, Rebecca Schneider, Gabrielle Cody
  • Part 1 DIRECTORS OF CLASSICAL REVOLT
  • Chapter 1 INTRODUCTION TO Part I, Rebecca Schneider
  • Chapter 2 THE REIGN OF THE THEATRICAL DIRECTOR, Bettina L. Knapp
  • Chapter 3 STANISLAVSKY, Sharon Marie Carnicke
  • Chapter 4 THREE SISTERS AT THE MAT, M. N. Stroyeva
  • Chapter 5 MY RUSSIAN NOTEBOOK, 1934, Lee Strasberg
  • Chapter 6 AN INTERVIEW WITH OKHLOPKOV, Lee Strasberg, Sidney Kingsley
  • Chapter 7 Meyerhold's production of The Magnanimous Cuckold, Nick Worrall
  • Chapter 8 REALITY IS NOT ENOUGH, Richard Schechner
  • Chapter 9 BRECHT AS DIRECTOR, Carl Weber
  • Chapter 10 THE REVOLUTIONARY MOMENT, Lee Baxandall
  • Chapter 11 PARADISE NOW!, The Living Theatre
  • Chapter 12 FROM ART IN EVERYDAY LIFE, Linda Montano
  • Chapter 13 INVISIBLE THEATRE, Augusto Boal
  • Part 2 AUTEUR THEATRE
  • Chapter 14 INTRODUCTION TO Part II, Gabrielle Cody
  • Chapter 15 ARTAUD'S LES CENCI, An account by Roger Blin, Artaud's letters, and critical reviews
  • Chapter 16 TADEUSZ KANTOR'S JOURNEY, Jan Klossowicz
  • Chapter 17 THEATRE AND THERAPY: ROBERT WILSON, Bill Simmer
  • Chapter 18 VESSEL, Brooks McNamara
  • Chapter 19 FOREMAN'S PAIN(T) AND VERTICAL MOBILITY, Kate Davy
  • Chapter 20 PEARLS FOR PIGS, Richard Foreman
  • Chapter 21 AIDS AND AVANT-GARDE CLASSICISM, John Bell
  • Chapter 22 WOMAN, MAN, DOG, TREE, Gabrielle Cody
  • Chapter 23 HAIKU IN THE FLESH, Meiling Cheng
  • Part 3 THEATRES OF COMMUNITY AND TRANSCULTURATION
  • Chapter 24 INTRODUCTION TO Part III, Gabrielle Cody
  • Chapter 25 COLLECTIVE CREATION, Theodore Shank
  • Chapter 26 AN INTERVIEW WITH GROTOWSKI, Richard Schechner, Theodore Hoffman, Jacques Chwat, Mary Tierney
  • Chapter 27 TALKING WITH PETER BROOK, Richard Schechner, Jean-Claude Carriere, Joel Jouanneau, Georges Banu
  • Chapter 28 BUILDING UP THE MUSCLE, Josette Feral
  • Chapter 29 THE OTHER HISTORY OF INTERCULTURAL PERFORMANCE, Coco Fusco
  • Chapter 30 NOMADMEDIA, Rebecca Schneider
  • Part 4 MONTAGE, REITERATION, REVISION
  • Chapter 31 INTRODUCTION TO Part IV, Rebecca Schneider
  • Chapter 32 EISENSTEIN'S WISEMAN, Daniel Gerould
  • Chapter 33 MONTAGE OF ATTRACTIONS, Sergei Eisenstein
  • Chapter 34 CHARLES LUDLAM'S RIDICULOUS THEATRICAL COMPANY, Ron Argelander
  • Chapter 35 RIDICULOUS THEATRE, Charles Ludlam
  • Chapter 36 FAMILY OF THE F.P., Stefan Brecht
  • Chapter 37 IS THERE A TEXT ON THIS STAGE?, Gerald Rabkin
  • Chapter 38 ISLAND HOPPING, Euridice Arratia
  • Chapter 39 HAMLET AT WORLD'S END, Maik Hamburger
  • Chapter 40 SUZAN-LORI PARKS AND LIZ DIAMOND, Steven Drukman
  • Chapter 41 THREE SISTERS AT MILLENNIUM'S END, Rebecca Schneider

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