Ties
著者
書誌事項
Ties
V&A Publications, 1998
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 126) and index
内容説明・目次
内容説明
This is an account of the development of the necktie, from the 1670s to the present, drawing on evidence from paintings and engravings, as well as contemporary written sources and photographs of high-fashion examples of this essential element in male dress. The tie is not only of interest for sartorial reasons, it also serves as a label, offering an insight into the man himself. An item of dress so close to the face is always conspicuous and, therefore, either by its presence or absence, a man is automatically assessed. His taste, or lack of it, is revealed. Even his politics, education or sporting achievements can be deduced. As long as ties are worn, a man's character and taste will continue to be judged by his choice of tie and the quality of the knot. This volume offers insights into the wearing of ties by historical characters, such as Samuel Pepys, whose pride in his wardrobe is clearly indicated in his famous diary, and the legendary Regency dandy Beau Brummell. It shows how current ties have developed from earlier fashion, and features examples of contemporary ties from the elegant and stylish to the downright outrageous.
Today, ties are more popular than ever, and designer labels complete with more and more unusual designs and materials. Illustrations are drawn from contemporary paintings, from documentary sources, such as magazines and journals, and from original designs, as well as photographs of ties from the V&A's famous dress collection.
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