The vision of Rome in late Renaissance France
Author(s)
Bibliographic Information
The vision of Rome in late Renaissance France
Yale University Press, c2000
Available at 4 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
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  United States of America
Note
Includes bibliographical references (p. 425-450) and index
Description and Table of Contents
Description
The extraordinary richness of ancient Rome was a recurring inspiration to writers, artists, scholars, and architects in sixteenth-century France. This engrossing book explores the ways in which the perception of Rome as a physical and symbolic entity stimulated intellectual endeavor across the disciplines.
Examining work by writers such as Du Bellay, Grevin, Montaigne, and Garnier, and by architects and artists such as Philibert de L'Orme and Jean Cousin, Margaret McGowan shows how they drew upon classical ruins and upon their reconstruction not only to reenact past meanings and achievements but also, more dynamically, to interpret the present. She describes how Renaissance Rome, enhanced by the presence of so many signs of ancient grandeur, provided a fertile source of intellectual and artistic creativity. Study of the fragments of the past tempted writers to an imaginative reconstruction of whole forms, while the new structures they created in France revealed the artistic potency of the incomplete and the fragmentary. McGowan carries the underlying themes of the book--perception, impediments to seeing, and artistic transformation--to the end of the sixteenth century, when, she claims, they culminated in the transfer to France of the grandeur that was Rome.
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