A history of Russian music : from Kamarinskaya to Babi Yar

著者

書誌事項

A history of Russian music : from Kamarinskaya to Babi Yar

Francis Maes ; translated by Arnold J. Pomerans and Erica Pomerans

University of California Press, c2002

  • : pbk

タイトル別名

Geschiedenis van de russische musiek : van Kamarinskaja tot Babi Jar

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注記

"Originally published as Geschiedenis van de Russiche muziek: Van Kamarinskaja tot Babi Jar, c1996 Uitgeverij SUN, Nijmegen"--T.p. verso

Includes bibliographical references (p. 395-402) and index

内容説明・目次

巻冊次

ISBN 9780520218154

内容説明

Francis Maes's comprehensive and imaginative book introduces the general public to the scholarly debate that has revolutionized Russian music history over the past two decades. Based on the most recent critical literature, "A History of Russian Music" summarizes the new view of Russian music and provides a solid overview of the relationships between artistic movements and political ideas. The revision of Russian music history may count as one of the most significant achievements of recent musicology. The Western view used to be largely based on the ideas of Vladimir Stasov, a friend and confidant of leading 19th century Russian composers who was more a propagandist than a historian. With the deconstruction of Stasov's interpretation, stereotyped views have been replaced by a fuller understanding of the conditions and the context in which composers such as Tchaikovsky, Mussorgsky, and Stravinsky created their oeuvres. Even the more recent history of Soviet music, in particular the achievement of Dmitry Shostakovich, is being assessed on new documentary grounds. A more complex conception of Russian music develops as Maes explores the cultural and historical milieu from which great works have emerged. Questioning and re-examining traditional views, the author considers the personal development of composers, the relationship of art to social and political ideals in Russia and the ideologies behind musical research.

目次

Preface 1. Introduction: Natasha's Dance, or Musical Nationalism 2. "I'm Finished with Russian Music": Mikhail Glinka 3. "There's Petersburg for You!" The Birth Pangs of a Music Culture 4. The Clash of Ideas: The Quest for the Essence of the New Russian Music 5. The Theory in Practice: Musical Creation 6. "Truth in the Realm of the Pseudo": Russian Opera 7. "The Musician-Human": Pyotr Chaikovsky 8. "A Musical Conscience": Rimsky-Korsakov and the Belyayev Circle 9. Imagination and Renewal: The Silver Age 10. "The Cleansing Catastrophe": Early Soviet Music 11. Russia's Loss: The Musical Emigration 12. From Yezhovshchina to Zhdanovshchina 13. "Prokofiev Must Return to Us" 14. "The Secret Diary of a Nation": The Works of Shostakovich Notes Bibliography Index
巻冊次

: pbk ISBN 9780520248250

内容説明

Francis Maes's comprehensive and imaginative book introduces the general public to the scholarly debate that has revolutionized Russian music history over the past two decades. Based on the most recent critical literature, A History of Russian Music summarizes the new view of Russian music and provides a solid overview of the relationships between artistic movements and political ideas. The revision of Russian music history may count as one of the most significant achievements of recent musicology. The Western view used to be largely based on the ideas of Vladimir Stasov, a friend and confidant of leading nineteenth-century Russian composers who was more a propagandist than a historian. With the deconstruction of Stasov's interpretation, stereotyped views have been replaced by a fuller understanding of the conditions and the context in which composers such as Tchaikovsky, Mussorgsky, and Stravinsky created their oeuvres. Even the more recent history of Soviet music, in particular the achievement of Dmitry Shostakovich, is being assessed on new documentary grounds. A more complex conception of Russian music develops as Maes explores the cultural and historical milieu from which great works have emerged. Questioning and re-examining traditional views, the author considers the personal development of composers, the relationship of art to social and political ideals in Russia, and the ideologies behind musical research.

目次

Preface 1. Introduction: Natasha's Dance, or Musical Nationalism 2. "I'm Finished with Russian Music": Mikhail Glinka 3. "There's Petersburg for You!" The Birth Pangs of a Music Culture 4. The Clash of Ideas: The Quest for the Essence of the New Russian Music 5. The Theory in Practice: Musical Creation 6. "Truth in the Realm of the Pseudo": Russian Opera 7. "The Musician-Human": Pyotr Chaikovsky 8. "A Musical Conscience": Rimsky-Korsakov and the Belyayev Circle 9. Imagination and Renewal: The Silver Age 10. "The Cleansing Catastrophe": Early Soviet Music 11. Russia's Loss: The Musical Emigration 12. From Yezhovshchina to Zhdanovshchina 13. "Prokofiev Must Return to Us" 14. "The Secret Diary of a Nation": The Works of Shostakovich Notes Bibliography Index

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詳細情報

  • NII書誌ID(NCID)
    BA54966594
  • ISBN
    • 0520218159
    • 0520248252
  • 出版国コード
    us
  • タイトル言語コード
    eng
  • 本文言語コード
    eng
  • 原本言語コード
    dut
  • 出版地
    Berkeley
  • ページ数/冊数
    xiv, 427 p., [26] p. of plates
  • 大きさ
    24 cm
  • 分類
  • 件名
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