書誌事項

The diaries of Giacomo Meyerbeer

translated, edited, and annotated by Robert Ignatius Letellier

Fairleigh Dickinson University Press, c1999-

  • v. 1
  • v. 2
  • v. 3
  • v. 4

大学図書館所蔵 件 / 5

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注記

Translation of the untitled and unpublished German diaries

Includes bibliographical references and indexes

v. 1. 1791-1839

v. 2. 1840-1849, The prussian years and le prophète

v. 3. 1850-1856, The years of celebrity

v. 4. 1857-1864, The last years

内容説明・目次

巻冊次

v. 1 ISBN 9780838637890

内容説明

Volume 1 of the diaries, which in toto present a sustained record of Meyerbeer's personal recollections from 1812-1864, covers the Early Years and Italy (1812-26) and the Parisian Triumphs (1827-39). A register of names, maps, illustrations, musical examples, and annotations complete the critical apparatus, Illustrated.
巻冊次

v. 2 ISBN 9780838638439

内容説明

Volume 2 covers the 1840s, a period designated as the Prussian Years. From 1846 Meyerbeer's journal becomes a consistent daily record, resulting in one of the most sustained depictions of a contemporary artistic, theatrical, and musical milieu ever kept by a famous composer. Illustrated.
巻冊次

v. 3 ISBN 9780838638446

内容説明

Volume 3 covers a time span that preeminently represents the period in the composer's life known as "The Years of International Fame" (1850-56). Confirmed as the major figure on the operatic scene, and freed from the more onerous duties of his official position, Meyerbeer was able to enjoy his most remarkable period of stability and renown, as the detailed and absorbing diary entries reveal. These years saw the composing, rehearsing, and staging of L'Etoile du Nord (1854), and his personal supervision of major productions in London, Dresden, Stuttgart, and Vienna.
巻冊次

v. 4 ISBN 9780838638453

内容説明

Volume 4 is devoted to the last years (1857-64); while age and declining health saw a waning of the composer's personal optimism, this was hardly the case artistically speaking. This last volume contains a series of glossaries listing his compositions and the musical and theatrical works he attended throughout his life, as well as a bibliography of the composer, his contemporaries, and the operatic and social milieu of the times.

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