Men's work : gender, class, and the professionalization of poetry, 1660-1784
Author(s)
Bibliographic Information
Men's work : gender, class, and the professionalization of poetry, 1660-1784
Palgrave, 2001
Available at 3 libraries
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  Toyama
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  Fukui
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  Nagano
  Gifu
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  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
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  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
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  United States of America
Note
Includes bibliographical references and index
Description and Table of Contents
Description
This book examines how the concept of the poet as a male professional emerged during the Restoration and eighteenth century. Analyzing works by writers from Rochester to Johnson, Linda Zionkowski argues that the opportunities for publication created by the growth of a commercial market in texts profoundly challenged aristocratic conceptions of authorship and altered the status of professional poets on the hierarchies of class and gender. The book proposes that during this period, discourse about the poet's social role both revealed and produced a crucial shift in configurations of masculinity: the belief that commodifying their mental labor undermined writers' cultural authority gave way to a celebration of the market's function as the proving ground for both literary merit and bourgeois manhood.
Table of Contents
Introduction Poets of the Times: Rochester, Oldham, and Restoration Literary Culture From the Stage to the Closet: Dryden's Journey Into Print, Manhood, and Poetic Authority 'A good Poet is no small Thing': Pope and the Problem of Pleasure for Sale 'I shall be but a shrimp of an author': Gray, the Marketplace, and the Masculine Poet 'I also am a Man': Johnson's Lives and the Gender of the Poet
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