The female body : perspectives of Latin American artists
Author(s)
Bibliographic Information
The female body : perspectives of Latin American artists
(Contributions in women's studies, no. 190)
Greenwood Press, 2002
Available at 18 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. [123]-129) and index
Description and Table of Contents
Description
Including both narratives and visual texts by and about Latina women, Amador Gomez-Quintero and Perez Bustillo address the question of how women represent themselves. Utilizing paintings, novels, photographs, memoirs, and diaries this work examines the depiction of the female body in 20th-century creative expression. From writers such as Julia Alvarez and Christina Garcia to artists including Frida Kahlo and Ana Mendieta, it provides both a broad outline and a finely detailed exploration of how a largely overlooked community of creative women have seen, drawn, photographed, and written about their own experience.
The authors discuss women as both agent and subject of artistic representation often comparing both fictional and nonfictional versions of the same woman. Not only do they analyze Elena Poniatowska's Dear Diego, which centers on artist Angelina Beloff, but they also analyze Beloff's own memoirs. Continuing in this style, they make further comparisons between Frida Kahlo's Diary and visual images of her body. Connections such as these are what make their work not merely an articulation of imagery but an explanation of ideas.
Table of Contents
Preface Introduction Constructing the Self: The "I" of the Novel: Elena Poniatowska's Quiela (Dear Diego), and Tina (Tinisima) Contrasting Selves: The Novel and the Memoir: Poniatowska's Dear Diego and Angelina Beloff's Memorias Transforming the Gaze: The "I" of the Camera: Tina Modotti's Photographs Dissecting the Self: Visual and Written Subjectivity: Frida Kahlo's Diary Inscribing the Body: Latina's Narrative and Visual Representation Works Cited Index
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