The survival of images : art historians, psychoanalysts, and the ancients
著者
書誌事項
The survival of images : art historians, psychoanalysts, and the ancients
（Kritik : German literary theory and cultural studies）
Wayne State University Press, c2001
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注記
Bibliography: p. 189-199
Includes index
内容説明・目次
内容説明
This is an exploration of the moving image in psychoanalysis and art history in the early 20th century. The 20th century seemed destined, according to one art historian, to become not an age of reason, but a visual age in which images would afford more enlightenment and intellectual pleasure than the written or spoken word. Writing in 1948, Fritz Saxl was referring not only to the rise of cinematic art, but also to a major transformation in the way his predecessors had begun to view culture in general - as a process of image-making. In this text, Louis Rose offers an exploration of these changes as they occurred in three key areas of inquiry at the turn of the century: art history, classics, and the emerging field of psychoanalysis. Approaching all three fields as cultural sciences, Rose compares their shared interests in cultural surfaces and depths, in what is evident and what is hidden. In all three he aims to reveal a rudimental concern with the links among image, drama, and movement. On the one hand, art historians, classicists, and psychoanalysts sought to relate the creations of artists to the products of collective cultural enactments such as ritual, and theatre.
On the other, they explored the creative and psychological process by which mental images became translated into visual pictures conveying life and motion.
目次
- Image-making and Movement
- Mental Pictures and Visual Art, Aby Warburg and Emanuel Loewy
- Reenactments, Sigmund Freud
- Rhythms of Renewal, Ernst Kris and Fritz Saxl
- A Memory of Greece.
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