British horror cinema
Author(s)
Bibliographic Information
British horror cinema
(British popular cinema series)
Routledge, 2002
- : hbk
- : pbk
Available at 5 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references and index
Filmography: p. [196]-233
Description and Table of Contents
Description
British Horror Cinema investigates a wealth of horror filmmaking in Britain, from early chillers like The Ghoul and Dark Eyes of London to acknowledged classics such as Peeping Tom and The Wicker Man.
Contributors explore the contexts in which British horror films have been censored and classified, judged by their critics and consumed by their fans. Uncovering neglected modern classics like Deathline, and addressing issues such as the representation of family and women, they consider the Britishness of British horror and examine sub-genres such as the psycho-thriller and witchcraftmovies, the work of the Amicus studio, and key filmmakers including Peter Walker.
Chapters include:
the 'Psycho Thriller'
the British censors and horror cinema
femininity and horror film fandom
witchcraft and the occult in British horror
Horrific films and 1930s British Cinema
Peter Walker and Gothic revisionism.
Also featuring a comprehensive filmography and interviews with key directors Clive Barker and Doug Bradley, this is one resource film studies students should not be without.
Table of Contents
List of illustrations. Notes on contributors. Acknowledgements. 1. The Return of the repressed? British Horror's heritage and future Steve Chibnall and Julian Petley 2. The British censors and horror cinema Mark Kermode 3. 'A crude sort of entertainment for a crude sort of audience': the British critics and horror cinema Julian Petley 4. Screaming for release: Femininity and horror film fandom in Britain Brigid Cherry 5. Horrific films and 1930s British Cinema Ian Conrich 6. Psycho Thriller, qu'est que c'est? Kim Newman 7. Necromancy in the UK: Witchcraft and the occult in British horror Leon Hunt 8. Barbara, Julia, Carol, Myra and Nell: Diagnosing female madness in British horror cinema Steven Jay Schneider 10. The Amicus house of horror Peter Hutchings 11. A descent into the underworld: Deathline Marcelle Perks 12. A heritage of evil: Peter Walker and the politics of Gothic revisionism Steve Chibnall 13. On the side of the demons: Clive Barker's pleasures and pains. Interviews with Clive Barker and Doug Bradley Paul Wells 14. Dying light: an obituary for the Great British Horror Movie Richard Stanley. Filmography of British horror films in the sound era L. S. Smith
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