Thomas Hirschhorn : jumbo spoons and big cake the Art Institute of Chicago : Flugplatz Welt/world airport the Renaissance Society at the University of Chicago
著者
書誌事項
Thomas Hirschhorn : jumbo spoons and big cake the Art Institute of Chicago : Flugplatz Welt/world airport the Renaissance Society at the University of Chicago
The Art Institute of Chicago : The Renaissance Society at the University of Chicago, c2000
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Exhibition catalogue
Published in conjunction with the exhibitions "World Airport" at The Renaissance Society at The University of Chicago (January 16-February 24, 2000) and "Jumbo Spoons and Big Cake" at The Art Institute of Chicago (January 23-April 9, 2000)
Bibliography: p. 38
内容説明・目次
内容説明
Over the last five years, Swiss artist Thomas Hirschhorn has developed one of the most idiosyncratic and original sculptural vocabularies of his generation, establishing him as a major international artist. Hirschhorn forms his sculptures from the detritus of urban life, ranging from scraps of wood, tape, and plastic, to aluminum foil. The results are seemingly casual, chaotic, obsessive, and excessive environments reformed by the artist's unique sense of materials, wry wit, and profound commitment to issues of social justice. Presenting his most recent piece, "World Airport", as well as an entirely new installation, this book features essays by Okwui Enwezor, James Rondeau, and Hamza Walker that explore the conception and construction of these works and situate them in the artist's oeuvre and beyond. The Art Institute of Chicago and The Renaissance Society of Chicago are cooperating in presenting this catalogue and museum exhibition, Hirschhorn's first in the United States.
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