Painting professionals : women artists & the development of modern American art, 1870-1930
著者
書誌事項
Painting professionals : women artists & the development of modern American art, 1870-1930
(Gender & American culture / coeditors, Linda K. Kerber, Nell Irvin Painter)
University of North Carolina Press, c2001
- : pbk
大学図書館所蔵 全6件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [263]-288) and index
内容説明・目次
- 巻冊次
-
ISBN 9780807826423
内容説明
Thousands of women pursued artistic careers in the United States during the late 19th century. According to census figures, the number of women among the ranks of professional artists rose from 10 per cent to nearly 50 per cent between 1870 and 1890. Examining the effects of this change, Kirsten Swinth explores how women's growing presence in the American art world transformed both its institutions and its ideology. Swinth traces the careers of women painters in New York, Philadelphia and Boston, opening and closing her book with discussion of the two most famous women artists of the period -Mary Cassatt and Georgia O'Keeffe. Perhaps surprisingly, Swinth shows that in the 1870s and 1880s men and women easily crossed the boundaries separating conventionally masculine and feminine artistic territories to compete with each other as well as to join forces to professionalize art training, manage a fluid and unpredictable art market, and shape the language of art criticism. By the 1890s, however, women artists faced a backlash.
Ultimately, Swinth argues, these gender contests spilled beyond the world of art to shape 20th-century understandings of high culture and the formation of modernism in profound ways.
- 巻冊次
-
: pbk ISBN 9780807849712
内容説明
Thousands of women pursued artistic careers in the United States during the late 19th century. According to census figures, the number of women among the ranks of professional artists rose from 10 per cent to nearly 50 per cent between 1870 and 1890. Examining the effects of this change, Kirsten Swinth explores how women's growing presence in the American art world transformed both its institutions and its ideology. Swinth traces the careers of women painters in New York, Philadelphia and Boston, opening and closing her book with discussion of the two most famous women artists of the period -Mary Cassatt and Georgia O'Keeffe. Perhaps surprisingly, Swinth shows that in the 1870s and 1880s men and women easily crossed the boundaries separating conventionally masculine and feminine artistic territories to compete with each other as well as to join forces to professionalize art training, manage a fluid and unpredictable art market, and shape the language of art criticism. By the 1890s, however, women artists faced a backlash. Ultimately, Swinth argues, these gender contests spilled beyond the world of art to shape 20th-century understandings of high culture and the formation of modernism in profound ways.
「Nielsen BookData」 より