Reading critics reading : opera and ballet criticism in France from the Revolution to 1848

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書誌事項

Reading critics reading : opera and ballet criticism in France from the Revolution to 1848

edited by Roger Parker and Mary Ann Smart

Oxford University Press, 2001

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注記

Includes bibliographical references and index

内容説明・目次

内容説明

This book is among the first to examine French opera and ballet criticism during the first half of the nineteenth century both as a historical and a literary phenomenon. It thus provides a new and badly needed perspective for scholars and other commentators who have often been willing to treat the journalistic responses to such musical genres chiefly as a simple source of factual information. The essays, taken from a conference in Oxford in 1996, explore the kinds of problem encountered and the types of methodology that might be employed in trying to interpret these critical responses; they throw light on such aspects as the cultural attitudes underlying the writers' rhetoric, the aesthetic stances and ideological agendas at play, and how modes of production influenced content.

目次

  • CONTRIBUTORS
  • ACKNOWLEDGEMENTS
  • INTRODUCTION
  • I: READING CRITICS
  • II: READING GRAND OPERA
  • III: READING BALLET
  • BIBLIOGRAPHY
  • INDEX

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