Media sport stars : masculinities and moralities

著者

書誌事項

Media sport stars : masculinities and moralities

Garry Whannel

Routledge, 2002

  • : hbk
  • : pbk

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注記

Bibliography: p. [244]-257

Includes index

内容説明・目次

内容説明

Media Sport Stars considers how masculinity and male identity are represented through images of sport and sport stars. From the pre-radio era to today's specialist TV channels, newspaper supplements and websites, Whannel traces the growing cultural importance of sport and sportmen, showing how the very practices of sport are still bound up with the production of masculinities. Through a series of case studies of British and American sportsmen, Whannel traces the emergence of of the sporting 'hero' and 'star' , and considers the ways in which the lives of sport stars are narrated through the media. Focusing on figures like Muhammad Ali and David Beckham, whose fame has spread well beyond the world of sport, he shows how growing media coverage has helped produced a sporting system, and examines how modern celebrity addresses the issues of race and nation, performance and identity, morality and violence. From Babe Ruth to Mike Tyson, Media Sport Stars demonstrates that, in an era in which both morality and masculinity are percieved to be 'in crisis', sport holds a central place in contemporary culture, and sport stars become the focal point for discourses of masculinity and morality.

目次

  • Chapter 1 Introduction
  • Part 1 The tales they tell of men ...
  • Chapter 2 Discourses of crisis in masculinity
  • Chapter 3 The development of media sport
  • Chapter 4 Heroes and stars
  • Chapter 5 Narrativity and biography
  • Chapter 6 Sporting masculinities
  • Part 2 From sporting print to satellite ...
  • Chapter 7 The birth of the sport star
  • Chapter 8 Good boys
  • Chapter 9 Pretty boys, the 1960s and pop culture
  • Chapter 10 Bad boys and the work ethic
  • Part 3 The restless vortex of celebrity
  • Chapter 11 Celebration, punishment, redemption and self-discipline
  • Chapter 12 Moralities, masculinities and violence
  • Chapter 13 Identities
  • Chapter 14 Performances, appearances, identities and postmodernities
  • Chapter 15 Vortextuality and conspicuous consumption
  • Chapter 16 Conclusion

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