The plays to 1942 : Mulatto to the Sun Do Move
著者
書誌事項
The plays to 1942 : Mulatto to the Sun Do Move
(The collected works of Langston Hughes / edited with an introduction by Arnold Rampersad, v. 5)
University of Missouri Press, c2002
大学図書館所蔵 全34件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references
内容説明・目次
内容説明
But someday somebody'll Stand up and talk about me - Black and beautiful - And sing about me. And put on plays about me! I reckon it'll be Me myself! Yes, it'll be me. Langston Hughes is least known for his theatrical endeavors, yet his attention to the theater was lifelong. His love of the stage began in childhood, and from the late 1920s on he was continually writing plays, for black community theater, for theater companies he established himself, and for the Broadway and off-Broadway stage. His early plays endeavor to provide ""authentic"" representations of African American life, both to counter and correct the stereotypical stage portrayals of African Americans in white theater and to provide suitable plays for black theater companies hungry for scripts that would entertain and challenge black audiences. Volume 5 of The Collected Works of Langston Hughes includes the plays Hughes wrote between 1930 and 1942, alone and in collaboration. Almost all the plays were performed during the same period; a few have never seen the stage, but are included because they indicate the range of Hughes's artistic and political concerns. Because very few of the plays in this volume have been previously published, they disclose a side of Langston Hughes's artistry that is virtually unknown.
「Nielsen BookData」 より