Hogarth : representing nature's machines
著者
書誌事項
Hogarth : representing nature's machines
(The barber institute's critical perspectives in art history series)
Manchester University Press, 2001
- : hard
- : pbk
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注記
Includes bibliographical references (p. [264]-280) and index
内容説明・目次
- 巻冊次
-
: hard ISBN 9780719059186
内容説明
This work provides a perspective on the work of the great British painter and printmaker William Hogarth. By focusing on his most famous works, such as "The Harlot's Progress" and "The Rake's Progress", this collection of essays applies studies of science and philosophy from the period to give a more accurate sense of the meanings in Hogarth's art. Many of the most famous scholars of Hogarth and the 18th century have made new contributions to the subject, and the volume, edited by scholars from Britain, France and Germany, is notable for its international outlook. The work consists of 12 essays which examine the problem of the nature of Hogarth's realism, which recent research has shown relates to a wide range of shifts in the period, and towards a greater concern with observation and representation. While giving full value to the humour and wit in Hogarth's work, the book also reveals Hogarth as a profoundly thoughtful painter.
目次
- Preface - David Bindman
- Introduction:
- 1. From text to image: William Hogarth and the emergence of a visual culture in eighteenth-century England - Frederic Ogee
- 2. Hogarthian frames: The new eighteenth-century aesthetics - Peter Wagner Part One: Hogarth's empiricism
- 3. Matters of fact: Virtual witnessing and the public in Hogarth's narratives - John Bender
- 4. Je-sais-quoi: William Hogarth and the representation of the forms of life - Frederic Ogee
- 5. Hogarth's 'Living Machines of Nature' and the theorisation of aesthetics - Michel Baridon
- 6. Representations of time in Hogarth's paintings and engravings - Peter Wagner Part Two: Oberserving modern life
- 7. William Hogarth's enraged musician and the cries of London - Sean Shesgreen
- 8. The view across the City: William Hogarth and the visual culture of eighteenth-century London - Mark Hallett
- 9. 'This Truly Natural and Faithful Painter': Hogarth's depiction of modern life - Diana Donald
- Part Three: Hogarth and Christian typology
- 10. Hogarth's Marriage A-ja-Mode: The dialectic between precision and ambiguity - Werner Busch
- 11. The excessive Jew in A Harlot's Progress - David Solkin
- 12. Some thoughts on Hogarth's Jew: Issues in current scholarship - Ronald Paulson
- List of works cited
- List of illustrations
- Index
- 巻冊次
-
: pbk ISBN 9780719059193
内容説明
This is a practical, user-friendly guide to researching your family history in Scotland. Its aim is to provide sign-posts to the past and to solve problems faced by those seeking to discover their ancestors and explore their lives. It shows how to make the most of research resources and catalogues of collections held in archives and libraries, both online and on paper. Emphasis is laid on locating, selecting, evaluating and using sources, as well as finding out what is locally available and what is kept in Scottish central archives. Guidance is given on how to keep records and make a research plan. Other sections look at topics such as birth, marriage and death - how to use the core sources of statutory registers, census returns and parish registers, as well as how important information can also be found in other records relating to these 'facts of life'. A section on profiling the ancestors shows how further research can inform the reader about how they can find out more about their forebears, or 'how to put flesh on the ancestral bones'. A final section offers help in the often daunting task of understanding Scottish legal documents
The book is designed to help those who are starting out on the ancestral trail and also to point more experienced researchers, including students on genealogical courses, in new directions. -- .
目次
- Preface - David Bindman
- Introduction:
- 1. From text to image: William Hogarth and the emergence of a visual culture in eighteenth-century England - Frederic Ogee
- 2. Hogarthian frames: The new eighteenth-century aesthetics - Peter Wagner Part One: Hogarth's empiricism
- 3. Matters of fact: Virtual witnessing and the public in Hogarth's narratives - John Bender
- 4. Je-sais-quoi: William Hogarth and the representation of the forms of life - Frederic Ogee
- 5. Hogarth's 'Living Machines of Nature' and the theorisation of aesthetics - Michel Baridon
- 6. Representations of time in Hogarth's paintings and engravings - Peter Wagner Part Two: Oberserving modern life
- 7. William Hogarth's enraged musician and the cries of London - Sean Shesgreen
- 8. The view across the City: William Hogarth and the visual culture of eighteenth-century London - Mark Hallett
- 9. 'This Truly Natural and Faithful Painter': Hogarth's depiction of modern life - Diana Donald
- Part Three: Hogarth and Christian typology
- 10. Hogarth's Marriage A-ja-Mode: The dialectic between precision and ambiguity - Werner Busch
- 11. The excessive Jew in A Harlot's Progress - David Solkin
- 12. Some thoughts on Hogarth's Jew: Issues in current scholarship - Ronald Paulson
- List of works cited
- List of illustrations
- Index
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