Miro on Mallorca
著者
書誌事項
Miro on Mallorca
Prestel, c1995
- : English edition
- : German edition
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
From his childhood on, Mallorca was to be a second home for Joan Miro. His mother hailed from the island, as did his wife Pilar Juncosa. It became his permanent place of abode from the mid-fifties onwards, after he acquired a plot of land upon which he commissioned his friend Josep Lluris to build a large studio. He died there on the 25th of December 1983 at the age of 90. This study concerns itself primarily with the varied themes and techniques of the artist's later works painting, sculpture, prints and ceramics - which were all created, with the exception of the latter, in the four workshops of his residence Son Abrines. It was the clear light of Mallorca which especially fascinated Miro - the poetic blues of the sky and sea. In his sculpture, he was especially inspired by the artistic creativity of the island inhabitants, not to mention the agriculture and precipitous cliffs which give the landscape of Mallorca its unique quality. "A pitchfork, a fork that has been carefully made by peasants - that's very important to me", he once commented. From his youth on he was to collect objects typical of island life: ceramics, woven baskets and simple household pottery.
Above all, he loved the rustic style of the old Mallorcan house with its characteristic furniture. Such things were to influence his art more than any fluctuating fashions. "Folk art always moves me...In this art their are no tricks...it is so rich with possibilities." Barbara Catoir is the author of "Conversations with Antoni Tapies". Miro was born in Barcelona in 1893 and studied there at the Lonja School of Fine Arts from 1912 onwards, and in the private school of Francesc Gall. Miro lived on and off in Paris from 1920 to the outbreak of World War II; there he became friends with poets and artists within Surrealist and Dadaist circles. He exhibited alongside Picasso, Gonzales and Alexander Calder in the Spanish Pavilion of the World Exhibition in Paris during 1937. With the first major exhibition of his oeuvre at the Museum of Modern Art in New York in 1941, Miro was to see the blossoming of a fruitful relationship with the American art scene, which was to last until his death. Numerous works of his are to be found in American museums and private collections.
「Nielsen BookData」 より