Art and illusion : a study in the psychology of pictorial representation
著者
書誌事項
Art and illusion : a study in the psychology of pictorial representation
（Bollingen series, 35 . The A. W. Mellon lectures in the fine arts ; 5）
Princeton University Press, 2000
Millennium ed
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注記
"With a new preface by the author"
"Eleventh printing, with a new preface, 2000" -- T.p. verso
Includes bibliographical references and index
内容説明・目次
内容説明
Considered a great classic by all who seek for a meeting ground between science and the humanities, Art and Illusion examines the history and psychology of pictorial representation in light of present-day theories of visual perception information and learning. Searching for a rational explanation of the changing styles of art, Gombrich reexamines many ideas on the imitation of nature and the function of tradition. In testing his arguments he ranges over the history of art, noticing particularly the accomplishments of the ancient Greeks, and the visual discoveries of such masters as Leonardo da Vinci and Rembrandt, as well as the impressionists and the cubists. Gombrich's triumph in Art and Illusion arises from the fact that his main concern is less with the artists than with ourselves, the beholders.
目次
List of Illustrations ix Preface to the 2000 Edition xxv Preface xxxvii Preface to the Second Edition xli Introduction: Psychology and the Riddle of Style 3 PART ONE: The Limits of Likeness Chapter 1. From Light into Paint 33 Chapter 2. Truth and the Stereotype 63 PART TWO: Function and Form Chapter 3. Pygmalion's Power 93 Chapter 4. Reflections on the Greek Revolution 116 Chapter 5. Formula and Experience 146 PART THREE: The Beholder's Share Chapter 6. The Image in the Clouds 181 Chapter 7. Conditions of Illusion 203 Chapter 8. Ambiguities of the Third Dimension 242 PART FOUR: Invention and Discovery Chapter 9. The Analysis of Vision in Art 291 Chapter 10. The Experiment of Caricature 330 Chapter 11. From Representation to Expression 359 Retrospect 393 Notes 399 Index 443
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