José de Torres's treatise of 1736 : general rules for accompanying on the organ, harpsichord, and the harp, by knowing only how to sing the part, or a bass in canto figurado
著者
書誌事項
José de Torres's treatise of 1736 : general rules for accompanying on the organ, harpsichord, and the harp, by knowing only how to sing the part, or a bass in canto figurado
（Publications of the Early Music Institute）
Indiana University Press, c2000
- : pbk
- タイトル別名
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Reglas generales de acompañar
General rules for accompanying on the organ, harpsichord, and the harp, by knowing only how to sing the part, or a bass in canto figurado
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注記
Includes bibliographical references (p. 288-294)
内容説明・目次
内容説明
This work was the first in Spain to deal specifically and completely with thoroughbass accompaniment at the keyboard. This bilingual edition presents a readily legible transcription of the full Spanish text of the 1736 edition and with the original pagination. The Reglas Generales were first published in 1702 by Jose de Torres's own print shop in Madrid, and a second edition appeared in 1736. This work was the first in Spain to deal specifically and completely with thoroughbass accompaniment at the keyboard. Also a pioneering work for its treatment of what Torres describes as the rigorous Spanish style," this treatise approaches thoroughbass from a contrapuntal as well as a harmonic perspective. Unlike the writers of guitar treatises of the same period, Torres considers chord inversion and voice leading in the realisation of the bass. This bilingual edition presents a readily legible transcription of the full Spanish text of the 1736 edition and with the original pagination with the English translation facing the original, the reader can easily move between the Spanish and English versions.
Musical examples are given in facsimile with the Spanish text and in modern notation in the translation. Annotations to the translation are easily located, yet unobtrusive."
目次
Table of Contents Introduction General Rules of Accompanying Prefatory Pages :First Tratado, on the Fundamentals That Must Precede Accompaniment Second Tratado, in Which Is Taught the Method of Accompanying by Placing Simple, or Unsuspended Voices over All of the Movements of the Bass Third Tradado, in Which Is Taught the Method of Accompanying, Using All of the False Intervals, Both within and outside of the Suspension Added Fourth Tratado, in Which Is Explained the Method of Accompanying According to the Italian Style Notes Bibliography
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