Constructing musicology

書誌事項

Constructing musicology

Alastair Williams

Ashgate, c2001

  • : hbk
  • : pbk

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注記

Includes bibliographical references and index

内容説明・目次

巻冊次

: hbk ISBN 9780754601333

内容説明

There is widespread agreement that musicology has undergone a paradigm shift. This swing can be attributed to two not always separable causes: the wider repertoires now studied and the impact of theory on research in the humanities and social sciences. This analysis attends to both currents, examining and explaining the theoretical issues raised by various musics. Topics discussed include: Joseph Kerman's call for a shift from fact-finding to critical interpretation; Adorno's and Dahlhaus's scrutiny of the bourgeois tradition; the impact of post-structuralism on musicology; the semiotics of music; how gender is constructed in music; the relevance of psychoanalytical theory to musical understanding; classic critiques of the culture industry; how identity and image are negotiated in song; debates in ethnomusicology; and modernity in music. The author's overall aim is to show the forces at work in contemporary musicology, to demonstrate that traditions are socially constructed, and to suggest that established beliefs can be transformed in a theoretically flexible environment.

目次

  • Traditions - Kerman, Adorno, Dahlhaus
  • discourses -s tructuralism, post-structuralism, texts, semantics
  • voices - gendered music, embodied music, Lacanian psychoanalysis
  • identities - critique, value, perspectives
  • places - Orientalism, ethnomusicology
  • positions - modernity, musicology and postmodernism, culture, framing the fifth, reconstructing musicology.
巻冊次

: pbk ISBN 9780754601340

内容説明

This title was first published in 2001: Unlike many other academic disciplines, musicology has been somewhat reluctant to explore the possibilities that critical theory might offer to our understanding of music and the ways in which we study it. In recent years, however, both the general impact of theory on humanities research and the wider repertoires now studied on music degree courses have urged a paradigm shift in musicology. Looking at both these trends, Alastair Williams examines and explains the theoretical issues raised by different musics, including the Western canon, popular music, folk music and music by women. A theoretically informed musicology, he argues, can reflect on its own procedures and create strategies for particular problems as they arise. In this sense the book offers a musicology under construction. To appreciate how theoretical discourses function and the interests they serve, it is important to understand their roots. Chapter One begins with a presentation of traditional musicology in the context of Joseph Kerman's call for a shift from fact-finding to critical interpretation. Discussion then moves to the scrutiny of the bourgeois tradition by Adorno and Dahlhaus. Chapter Two explores Kerman's critique of structural analysis, together with the impact of poststructuralism on musicology. Awareness of new repertoire and its consequences becomes evident as the book unfolds, with Chapter Three considering music by women and examining how gender is constructed in music. Chapter Four extends this discussion to the field of popular music and the ways in which this genre negotiates identity. Challenges to the dominant values are further explored as Chapter Five looks at how non-European cultures are presented in European music and reflects on perceptions of self and other in ethnomusicology. Chapter Six charts the emergence of modern subjectivity and its formations in music, arguing that musicology should not lose sight of modernity's critical resources.

目次

  • Contents: Preface
  • Traditions: Kerman
  • Adorno
  • Dahlhaus
  • Discourses: Structuralism
  • Poststructuralism
  • Texts
  • Semantics
  • Voices: Gendered music
  • Embodied music
  • Lacanian psychoanalysis
  • Identities: Critique
  • Value
  • Perspectives
  • Places: Orientalism
  • Ethnomusicology
  • Positions: Modernity
  • Musicology and postmodernism
  • Culture
  • Framing the fifth
  • Reconstructing musicology
  • Notes
  • Bibliography
  • Index.

「Nielsen BookData」 より

詳細情報

  • NII書誌ID(NCID)
    BA55903352
  • ISBN
    • 0754601331
    • 075460134X
  • LCCN
    2001089066
  • 出版国コード
    uk
  • タイトル言語コード
    eng
  • 本文言語コード
    eng
  • 出版地
    Aldershot
  • ページ数/冊数
    xi, 164 p.
  • 大きさ
    24 cm
  • 分類
  • 件名
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