Court and poet : selected proceedings of the Third Congress of the International Courtly Literature Society (Liverpool 1980)

書誌事項

Court and poet : selected proceedings of the Third Congress of the International Courtly Literature Society (Liverpool 1980)

edited by Glyn S. Burgess ; assistant editors A.D. Deyermond ... [et al.]

(ARCA classical and medieval texts, papers, and monographs, 5)

Francis Cairns, c1981

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収録内容

  • Courtly literature and vulgar language / Charles Muscatine
  • The interaction of courtly and popular elements in medieval Spanish literature / Alan Deyermond
  • Collaborative approaches to fantasy and reality in the literature of Champagne / John F. Benton
  • "[...] Sa place [...], son volume et [...] l'usage qui en es fait" : incantatory value of words in the Provençal trouvadours / F.R.P. Akehurst
  • Courtly literature and northwest England in the later middle ages / Michael J. Bennett
  • The tradition of the troubadour lyrics and the treatment of the love theme in Chrétien de Troyes's Erec et Enide / Fanni Bogdanow
  • Marie de France : a reassessment of her narrative technique in the Lais / Constance Bullock-Davies
  • The metamorphosis of Candace and the earliest English love epistle / Martin Camargo
  • Love, nature and law in the poetry of Gower and Chaucer / Marie Collins
  • Wishfulfilment : the social function and classification of old French romances / Dafydd Evans
  • Gontier de Soignies : trourvère archaïque ou archaïsme? / Luciano Formisano
  • Contrary forces and patterns of antagonism in Minnesang / Peter Frenzel
  • Alphose le savant, poète lyrique et mécène des troubadours / Albert Gier
  • L'élement féminin dans le Roman d'Alexandre : Olympias et Candace / Martin Gosman
  • The two gardens of The Franklin's tale / Carol Falvo Heffeman
  • The song of songs and courtly literature / Tony Hunt
  • "Heavens defend me from that Welsh fairy" (Merry wives of Windsor, v,5,85) : the metamorphosis of Morgain la Fee in the romances / Margaret Jennings C.S.J.
  • Women characters in the Histoire ancienne Genesi of Rogier, Chastelain de Lisle, from the text of Paris, BN fr. 20125 / Mary Coker Joslin
  • Amor es passio -- a definition of courtly love? / Alfred Karnein
  • Signature and art and the art of the signature / Erik S. Kooper
  • La structure du récit dans les Lais de Marie de France / Lise Lawson
  • Les masques du `je' amoureux chez Thibaut de Champagne / Marie-Noöl Lefay-Toury
  • Herrand von Wildonie : the political intentions of Der blôze keizer and Diu katze / John Margetts
  • The precocious courtesy of Geoffrey Gaimar / Alan R. Press
  • Littérature et société au XIVe siècle : le ménestrel Watriquet de Couvin / Jacques Ribard
  • Chaucer and the French war : Sir Thopas and Melibee / V. John Scattergood
  • Medieval and Renaissance in Catalan courtly literature / Nathaniel B. Smith
  • The figure of Amor in the old Provençal narrative allegories / Robert Taylor
  • Raum- und Zeitstuktur in Konrads Rolandslied und Woframs Willehalm, unter Berücksichtigung der gleichzeitgen Malerei / Brigitte Uhde-Stahl
  • Lalangue poétique de Raimbaul d'Orange : tradition et création / Marc Vuijlsteke
  • "Benois soit li ieus" : points taken and mistaken in and on the old French Vulgate Merlin / Gregory J. Wilkin
  • Christine de Pizan's Cent ballades d'amant et de dame : criticism of courtly love / Charity Cannon Willard

内容説明・目次

内容説明

The International Courtly Literature Society was founded in 1973 to foster the study of all aspects of courtly literature - an interest not limited to European medievalists, although they provide one of the society's main focuses. The ICLS holds triennial international conferences, the third in Liverpool, England in 1980. Professor Glyn Burgess has edited a volume containing about one-third of the papers presented there. He opens it with the three plenary speakers, Charles Muscatine, Alan Deyermond, and John Benton, who illuminate conflicting aspects of life and literature held in tension in the productions of medieval court poets. The remaining 29 contributions represent the principal national literatures discussed at the Congress - English, French, German, Provencal and Spanish - and offer a wide variety of perspectives and approaches to courtly literature, including comparisons between literary and artistic artefacts.

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