French "Classical" theatre today : teaching, research, performance
著者
書誌事項
French "Classical" theatre today : teaching, research, performance
（Faux titre, no. 205）
Rodopi, 2001
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内容説明・目次
内容説明
Arising from the activities of the Centre for Seventeenth-Century French Theatre, this volume proposes a selection of eighteen essays by internationally renowned scholars aimed at all those who value and work with the theatre of seventeenth-century France, whether in teaching, research or performance. Frequently seeking out the interfaces of these areas, the essays cover historiography (including that of opera), the theory and practice of textual editing, visualizing - in terms of both theatre architecture and the significance of playtext illustration - , approaches to study and research (including the most recent applications of computer technology), and performance studies which relate the classical canon to contemporary French and other cultures. Always suggesting new directions, challenging the epistemological bases of the very concept of French classical theatre, the essays provide a snapshot of scholarship in the field at the dawn of a new millennium, and offer an ideal opportunity to reassess its past whilst looking to its future.
目次
- Foreword and Acknowledgements Introduction Philip TOMLINSON: French 'Classical' Theatre Today I. In Retrospect C.E.J. CALDICOTT: For the Non-Classical in Seventeenth-Century French Theatre William BROOKS: Decrypting the Chronology of Early French-Opera Charles MAZOUER: Comment ecrire une histoire du theatre du XVIIe siecle? II. Editing Keith CAMERON: The Critical Edition: The Editor's Incubus? John DUNKLEY: Old Plays
- Modern Editions III. Visualizing Catherine GUILLOT: La Recherche en iconographie theatrale aujourd'hui: quelques reflexions sur l'utilisation de l'image du livre du XVIIe siecle Abby E. ZANGER: Betwixt and Between Print and Performance: A New Approach to Moliere's Body of/at Work Jan CLARKE: The Hotel Guenegaud Auditorium according to the Theatre's Account Books Christa WILLIFORD: Computer Modelling Classical French Theatre Spaces: Three Reconstructions IV. Studying Andrew CALDER: 'Le Misanthrope': From Ideas to Shared Experience Christopher SMITH: Racine in the Modern Modern Languages Curriculum Veronique DESNAIN: 'Fille de Jezabel': Female Genealogies in Racine V. Performing David BERRY: 'Rough Magic': Ted Hughes's Translation of Jean Racine's 'Phedre' Thomas YARWOOD: Staging Racine in England Now: The Almeida's 'Phedre' and 'Britannicus' Christian BIET: L'Interpretation des classiques sur la scene francaise contemporaine VI. In Prospect Barry RUSSELL: Theatre Scholarship in the Age of Electronics Guy SPIELMANN: 'Spectacles du Grand Siecle': Du project epistemologique au projet educatif List of Illustrations List of Contributors
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