Film and nationalism
Author(s)
Bibliographic Information
Film and nationalism
(Rutgers depth of field series)
Rutgers University Press, c2002
- : cloth
- : pbk
Available at 16 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. 249-252) and index
Description and Table of Contents
Description
From the medium's inception, films have defined and reinforced the core values and social structures of countries. They have also helped define - socially and culturally - what is to be considered "outside" the nation and what it is to be shunned. This text examines the ways in which cinema has been considered an arena of conflict and interaction between nations and nationhood. Each section of this volume explores a crucial aspect of the discussion. Is film an effective form of national propaganda? Are films losing the very notion of nationhood, in favour of a generalized "global" cinematographic culture? What is film's influence over "national character? In addition, the volume explores the cultural and economic interactions between developed and underdeveloped countries. How have third world nations defined themselves in relation to hegemonic first world cultures and how have their relations been changed through the dissemination of Western films? Throughout, Alan Williams chooses essays that enhance out understanding of how films help shape our sense of nationhood and self.
by "Nielsen BookData"