Perspectives on Anton Bruckner
著者
書誌事項
Perspectives on Anton Bruckner
Ashgate, c2001
大学図書館所蔵 全9件
注記
Includes index
内容説明・目次
内容説明
A century after his death Anton Bruckner still remains one of the most complex and enigmatic creative personalities of the nineteenth century. A leading avant-garde figure of his generation, he was an accomplished performer and teacher in addition to being a great composer; few people in the history of western music can boast his level of achievement in all these areas combined. This book, a collection of essays written by an international group of scholars, offers diverse theoretical and musicological perspectives on Bruckner the composer-teacher-performer. Facets of his formidable theoretical training and his application of it as part of the compositional process are explored. A variety of analytical methodologies is used to examine the Second through to the Ninth Symphonies, the heart of the composer's mature repertoire. Finally, aspects of Bruckner's career as a teacher and performer, his complex personality, his influence and dissemination of his music are considered.
目次
- Contents: Introduction
- Theoretical Perspective and Compositional Practice: A composer learns his craft: lessons in form and orchestration, 1861-63, Paul Hawkshaw
- Bruckner's Oktaven: the problem of consecutives, doubling and orchestral voice-leading, Timothy L. Jackson
- Symphonist: Analytical Considerations: The early version of the Second Symphony, William Carragan
- Master and disciple united: the 1889 finale of Bruckner's Third Symphony, Thomas RAder
- Continuity in the Fourth Symphony (first movement), Edward Laufer
- The expressive role of disjunction: a semiotic approach to form and meaning in the Fourth and Fifth Symphonies, Robert S. Hatten
- 'Harmonic daring' and symphonic design in the Sixth Symphony: an essay in historical musical analysis, Benjamin Marcus Korstvedt
- The Adagio of the Sixth Symphony and the anticipatory tonic recapitulation in Bruckner, Brahms and DvorA!k, Timothy L. Jackson
- Bruckner's free application of strict Sechterian theory with stimulation from Wagnerian sources: an assessment of the first movement of the Seventh Symphony, Graham H. Phipps
- Musical time in the Eighth Symphony, Joseph C. Kraus
- The facts behind a 'legend': the Ninth Symphony and the Te Deum, John A. Phillips
- Man, Musician and Reception: On unity between Bruckner's personality and production, Constantin Floros
- Bruckner - the travelling virtuoso, Crawford Howie
- Students and friends as 'prophets' and 'promoters': the reception of Bruckner's works in the Wiener Akademische Wagner-Verein, Andrea Harrandt
- Anton Bruckner and 'German music': Josef Schalk and the establishment of Bruckner as a national composer, Thomas Leibnitz
- Siegmund von Hausegger: a Bruckner authority from the 1930s, Christa BrA1/4stle
- Ludwig Wittgenstein's remarks on Bruckner, Peter Palmer
- Richard Wetz (1875-1935): a Brucknerian composer, Erik Levi
- Index.
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