Gender and French cinema
著者
書誌事項
Gender and French cinema
Berg, 2001
- : cloth
- : pbk
大学図書館所蔵 全6件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 271-286) and index
LCCN:2001004389
内容説明・目次
- 巻冊次
-
: cloth ISBN 9781859735701
内容説明
This book opens up the history of twentieth-century French cinema from the silent era to the present day by exploring the key role of gender and sexual politics. A much-needed sequel to Berg's bestselling Gender and German Cinema, the volume tackles such questions as:? What role did the female voice play when sound cinema was first developed?? How have film genres and movements been shaped by gender and sexual politics? ? How does gender intersect with factors of race, class, ethnic and national identity? The contributors also throw into relief broad issues such as the evolution of film in the context of 20C French social, political and cultural history.Bringing together original essays by French, British and American scholars, the collection fully covers the development of French cinema. It addresses the work of individual auteurs, the French star system, and film genres and movements such as Dada and Surrealism, the New Wave and the New New Wave. It also focuses on film narratives in which issues of gender are particularly pertinent.
The volume, which features illustrations, a filmography and bibliography, will be one of the standard handbooks in French cultural/film studies for some time to come.
目次
- Acknowledgements Introduction Alex Hughes (University of Birmingham), James S. Williams (University of Kent) 1. Bodies Cut and Dissolved: Dada and Surrealist Film Elza Adamowicz (Queen Mary College, University of London) 2. Diva in the Spotlight: Music Hall to Cinema Kelley Conway (University of Wisconsin-Madison) 3. Mon cul est intersexual?: Arletty's Performance of Gender Keith Reader (University of Glasgow) 4. For Our Eyes Only: Body and Sexuality in Reverse Motion in the Films of Jean Cocteau James S. Williams (University of Kent) 5. Setting the Agenders: Simone Signoret - the Pre-Feminist Star Body Susan Hayward (University of Exeter) 6. Gender, Modernism and Mass Culture in the New Wave Genevieve Sellier (Universite de Caen) 7. Austistic Masculinity in Jean-Pierre Melville's Crime Thrillers Ginette Vincendeau (University of Warwick) 8. Gender in the French Fantasy Film 1965-95 Guy Austin (University of Sheffield) 9. Going Through the Motions: Unconscious Optics and Corporal Resistance in Mieville and Godard's France/tour/detour/deux/enfants Michael Witt (University of Roehampton) 10. The God, the King, the Fool and ...: Anamorphosing the Films of Beineix Phil Powrie (University of Newcastle-Upon-Tyne) 11. AIDS-Video: Representing the Body in Guibert's La Pudeur ou l'impudeur Alex Hughes (University of Birmingham) 12. Gender and Sexuality in New New Wave Cinema Dina Sherzer (University of Texas at Austin) 13. Running out of Place: Gender
- Space and Crisis in Ferreira Barbosa's Les Gens Normaux n'ont rien d'exceptionnel and Lvovsky's Oublie-moi Julia Dobson (University of Wolverhampton) 14. Identification and Female Friendship in Contemporary French Film Emma Wilson (University of Cambridge)
- 巻冊次
-
: pbk ISBN 9781859735756
内容説明
This book opens up the history of twentieth-century French cinema from the silent era to the present day by exploring the key role of gender and sexual politics. A much-needed sequel to Berg's bestselling Gender and German Cinema, the volume tackles such questions as:? What role did the female voice play when sound cinema was first developed?? How have film genres and movements been shaped by gender and sexual politics? ? How does gender intersect with factors of race, class, ethnic and national identity? The contributors also throw into relief broad issues such as the evolution of film in the context of 20C French social, political and cultural history.Bringing together original essays by French, British and American scholars, the collection fully covers the development of French cinema. It addresses the work of individual auteurs, the French star system, and film genres and movements such as Dada and Surrealism, the New Wave and the New New Wave. It also focuses on film narratives in which issues of gender are particularly pertinent.
The volume, which features illustrations, a filmography and bibliography, will be one of the standard handbooks in French cultural/film studies for some time to come.
目次
- Acknowledgements Introduction Alex Hughes (University of Birmingham), James S. Williams (University of Kent) 1. Bodies Cut and Dissolved: Dada and Surrealist Film Elza Adamowicz (Queen Mary College, University of London) 2. Diva in the Spotlight: Music Hall to Cinema Kelley Conway (University of Wisconsin-Madison) 3. Mon cul est intersexual?: Arletty's Performance of Gender Keith Reader (University of Glasgow) 4. For Our Eyes Only: Body and Sexuality in Reverse Motion in the Films of Jean Cocteau James S. Williams (University of Kent) 5. Setting the Agenders: Simone Signoret - the Pre-Feminist Star Body Susan Hayward (University of Exeter) 6. Gender, Modernism and Mass Culture in the New Wave Genevieve Sellier (Universite de Caen) 7. Austistic Masculinity in Jean-Pierre Melville's Crime Thrillers Ginette Vincendeau (University of Warwick) 8. Gender in the French Fantasy Film 1965-95 Guy Austin (University of Sheffield) 9. Going Through the Motions: Unconscious Optics and Corporal Resistance in Mieville and Godard's France/tour/detour/deux/enfants Michael Witt (University of Roehampton) 10. The God, the King, the Fool and OO: Anamorphosing the Films of Beineix Phil Powrie (University of Newcastle-Upon-Tyne) 11. AIDS-Video: Representing the Body in Guibert's La Pudeur ou l'impudeur Alex Hughes (University of Birmingham) 12. Gender and Sexuality in New New Wave Cinema Dina Sherzer (University of Texas at Austin) 13. Running out of Place: Gender
- Space and Crisis in Ferreira Barbosa's Les Gens Normaux n'ont rien d'exceptionnel and Lvovsky's Oublie-moi Julia Dobson (University of Wolverhampton) 14. Identification and Female Friendship in Contemporary French Film Emma Wilson (University of Cambridge)
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