Joyce's Ulysses as national epic : epic mimesis and the political history of the nation state
著者
書誌事項
Joyce's Ulysses as national epic : epic mimesis and the political history of the nation state
(The Florida James Joyce series)
University Press of Florida, c2002
大学図書館所蔵 全20件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Bibliography: p. [129]-145
Includes index
内容説明・目次
内容説明
Ungar argues that Joyce's Ulysses is the Irish national epic - a new national epic written at the moment a new nation, the Irish Free State, was being founded, and one that evades the potential constraints of the epic tradition in order to draw attention instead to what Ungar calls ""the change required in Ireland's too formulaic self-definition."" This is the first full-length study of how Ireland's accession to political sovereignty figures in the compositional design of Ulysses. Ungar explores the parallel between the program of Sinn Fein founder Arthur Griffith and the meeting of Stephen Dedalus and Leopold Bloom, with their dreams of self-expression and continuity. He reads the work as a fable of the new kinds of remembering, relations among ancestors, and ""epic rhyming"" that are required to imagine a new national entity, and he delineates the features of this fable by carefully wrought close readings of key moments in the novel. In the process he succeeds in uniting an older, eminently distinguished brand of Joyce criticism with the insights of the younger generation of critics. Ungar adds a wealth of valuable new detail to the relation of Joyce's Ireland and Leopold Bloom's Hungary, which is central to his argument, and ingeniously links Molly Bloom to Stephen Dedalus's focus on the issue of national identity.
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