The fantastic vampire : studies in the children of the night : selected essays from the Eighteenth International Conference on the Fantastic in the Arts
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Bibliographic Information
The fantastic vampire : studies in the children of the night : selected essays from the Eighteenth International Conference on the Fantastic in the Arts
（Contributions to the study of science fiction and fantasy, no. 91）
Greenwood Press, 2002
- : alk. paper
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Note
The 18th Conference held in 1997 in Ft. Lauderdale, Fla
Includes bibliographical references and index
Description and Table of Contents
Description
Wherever vampires existed in the imaginations of different peoples, they adapted themselves to the customs of the local culture. As a result, vampire lore is extremely diverse. So too, representations of the vampire in creative works have been marked by much originality. In The Vampyre (1819), John Polidori introduced Lord Ruthven and established the vampire craze of the 19th century that resulted in a flood of German vampire poetry, French vampire drama, and British vampire fiction. This tradition culminated in Bram Stoker's Dracula (1897), which fixed the character of the Transylvanian nobleman as the archetypal vampire firmly in the public imagination. Numerous films drew from Stoker's novel to varying degrees, with each emphasizing different elements of his vampire character. And more recent writers have created works in which vampirism is used to explore contemporary social concerns.
The contributors to this volume discuss representations of the vampire in fiction, folklore, film, and popular culture. The first section includes chapters on Stoker and his works, with attention to such figures as Oscar Wilde and Edvard Munch. The second section explores the vampire in film and popular culture from Bela Lugosi to Blacula. The volume then looks at such modern writers as Anne Rice and Chelsea Quinn Yarbro who have adapted the vampire legend to meet their artistic needs. A final section studies contemporary issues, such as vampirism as a metaphor for AIDS in Killing Zoe.
Table of Contents
Introduction Studies in Stoker Shapeshifting Dracula: The Abridged Edition of 1901 by Elizabeth Miller Bram Stroker and Irish Gothic by Raymond McNally Dracula's Reflection: The Jewel of Seven Stars by Katie Harse Appalling in Its Gloomy Fascination: Stoker's Dracula and Wilde's Salome by William Pencak Stoker's Dracula: A Neo Gothic Experiment by Scott Vander Ploeg Men in Love: The Fantasizing of Bram Stoker and Edvard Munch by Suzanna Nyberg The Vampire in Film and Popular Culture Bela Lugosi's Dead, But Vampire Music Stalks the Airwaves by Tony Fonseca Policing Eddie Murphy: The Unstable Black Body in Vampire in Brooklyn by Les Tannenbaum Resurrection in Britain: Christopher Lee and the Hammer Draculas by James Craig Holte I Strahd: Narrative Voice and Variation on a Non-Player Character in TSR's Ravenloft Universe by Margaret Carter Modern Vampire Fictions The Mother Goddess in H. Rider Haggard's She and Anne Rice's Queen of the Damned by Bette Roberts Blood Spirit/Blood Bodies: The Viral in the Vampire Chronicles of Anne Rice and Chelsea Quinn Yarbro by Heidi L. Nordberg Kelene: The Face in the Mirror by Stephanie Moss Contemporary Issues in the World of the Undead Deadly Kisses: Vampirism, Colonialism, and the Gendering of Horror by Teri Ann Doerksen A Girl Like That Will Give You AIDS!: Vampirism as AIDS in Killing Zoe by Jeane Rose
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