Maternal subjectivity in the works of Stendhal
著者
書誌事項
Maternal subjectivity in the works of Stendhal
（Studies in French literature, v. 46）
E. Mellen Press, c2001
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注記
Includes bibliographical references (p. 215-228) and index
内容説明・目次
内容説明
This study examines the ways in which Stendhal's treatment of maternal figures is both revolutionary and prophetic. It contends that Stendhal was the first French writer to give mothers the opportunity to be both maternal and sexual beings simultaneously, breaking the traditional mould of the Madonna/whore dichotomy. Approaching the question of maternal identity from a perspective of feminist psychoanalytic criticism, based on the theories of Nancy Chodorow and Julia Kristeva, among others, the study begins with an overview of maternal figures in French literature form Rabelais to Rousseau, stressing the traditional Western image of the Madonna and its corresponding psychoanalytic paradigms. It then examines maternal figures from the Stendhalian novel, including Armance, Mme. De Renal, and Clelia Conti, concluding with a detailed analysis of Stendhal's portrayal of mothers that marks him as a revolutionary figure in feminist literary history.
目次
- Psychoanalysis, feminism and motherhood
- maternal figures in French Literature - from Renaissance to Romanticism
- mother love in "La Vie de Henry Brulard"
- traditional mother figures in Stendhal - "La Chartreuse de Parme", "Lucien Leuwen", "Armance"
- the Stendhalian anti-mother: the price of autonomy - "L'Abbesse de Castro", "Lamiel", "Gina del Dongo", "Mathilde de La Mole"
- the revolution of maternal desire - "Mme. De Renal", "Clelia Conti".
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