Vostell : automobile
Author(s)
Bibliographic Information
Vostell : automobile
Ernst Wasmuth, c2000
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references
Description and Table of Contents
Description
Perhaps no single technology has defined the postwar world as much as the automobile. The automobile has shaped our physical landscape--our personal, geographical and atmospheric space--as well as our mental world. Since the 1960s, artist Wolf Vostell has been addressing the automobile--as design object, as modern icon, and as an invention capable of shaping and altering the world around it--in ''auto-sculptures'' and performances. Vostell--Automobile documents Vostell's career over the past 40 years, from his early, Pop-influenced work, to his auto-sculptures, auto-happenings and auto-installations, as well as object-pictures like Zyklus Mania and his Project for a new flag for the German Republic, a proposal for a new flag that would reflect the autmobilization and mechanization of modern life.
by "Nielsen BookData"