Bakhtin and the classics
Author(s)
Bibliographic Information
Bakhtin and the classics
(Rethinking theory)
Northwestern University Press, 2002
- : cloth, alk. paper
- : pbk., alk. paper
Available at 8 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
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  United States of America
-
National Institute for Japanese Language and Linguistics
: pbk., alk. paper901/B151000915007,
: paper80/B15103166
Note
Includes bibliographical references and index
Description and Table of Contents
Description
Mikhail Bakhtin's critical and theoretical experiments have inspired original work in the humanities and social sciences but little in the realm of classical studies, the discipline in which Bakhtin himself was trained. This volume focuses on the relationship between Bakhtin and the study of classical antiquity and demonstrates the fundamental importance of classical literature in his work. Clarifying and elaborating this connection, these essays aim to expand our understanding of both Bakhtin's thought and the literary and cultural history of antiquity. The contributors put Bakhtin into dialogue with the classics - and classicists into dialogue with Bakhtin. Each essay offers a critical account of an important aspect of Bakhtin's thought and then examines the value of this approach in the context of a significant area of literary or cultural history. Beginning with an overview of Bakhtin's notion of carnival laughter, perhaps his central critical concept, the volume explores Bakhtin's thought and writing in relation to Homer's epic verse and Catullus's lyric poetry; ancient Roman novels; and Greek philosophy from Aristotle's theory of narrative to the work of Antiphon the Sophist. Considering important questions and arguing on a level of abstraction in keeping with Bakhtin's own vision, the authors at the same time are scrupulous in illuminating specific texts and showing how attention to the ancient novel, comedy, lyric, epic, philosophy, literary criticism and other genres can extend or deepen Bakhtin's insights.
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