The craft of a Chinese commentator : Wang Bi on the Laozi

著者

    • Wagner, Rudolf G.

書誌事項

The craft of a Chinese commentator : Wang Bi on the Laozi

Rudolf G. Wagner

(SUNY series in Chinese philosophy and culture)

State University of New York Press, c2000

  • : alk. paper
  • : pbk. : alk. paper

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注記

Includes bibliographical references (p. 337-350) and index

内容説明・目次

内容説明

The Laozi has been translated into Western languages hundreds of times over the past two hundred years. It has become the book of Chinese philosophy most widely appreciated for its philosophical depth and lyrical form. Nevertheless, very little attention has been paid to the way in which this book was read in China. This book introduces the reader to a highly sophisticated Chinese way of reading this Taoist classic, a way that differs greatly from the many translations of the Laozi available in the West. The most famous among the Chinese commentators on the Laozi—a man appreciated even by his opponents for the sheer brilliance of his analysis—is Wang Bi (226–249). Born into a short period of intellectual ferment and freedom after the collapse of the Han dynasty, this self-assured genius, in the short twenty-three years of his life, dashed off two of the most enduring works of Chinese philosophy, a commentary on the Laozi and another on the Book of Changes. By carefully reconstructing Wang Bi's Laozi text as well as his commentary, this book explores Wang Bi's craft as a scholarly commentator who is also a philosopher in his own right. By situating his work within the context of other competing commentaries and extracting their way of reading the Laozi, this book shows how the Laozi has been approached in many different ways, ranging from a philosophical underpinning for a particular theory of political rule to a guide to techniques of life-prolongation. Amidst his competitors, however, Wang Bi stands out through a literary and philosophical analysis of the Laozi that manages to "use the Laozi to explain the Laozi," rather than imposing an agenda on the text. Through a critical adaptation of several hundred years of commentaries on the classics, Wang Bi reaches a scholarly level in the art of understanding that is unmatched anywhere else in the world.

目次

Preface Introduction 1. Wang Bi: A Biographical Sketch Wang Bi's Life Wang Bi's Afterlife 2. The System of the Classics A Sketch of Commentary Strategies during the Han Dynasty 3. Technique and the Philosophy of Structure: Interlocking Parallel Style in Laozi and Wang Bi Introduction The Discovery of Parallel Style in Western The Problem: Molecular Coherence Open Interlocking Parallel Style in the Laozi Closed Interlocking Parallel Style in the Laozi Interlocking Parallel Style in Early Texts Interlocking Parallel Style in Wang Bi's Time Conclusion Scholarship Outside the Laozi 4. Deconstructing and Constructing Meaning The Hidden Meaning The Implied Author and His Authority: Kongzi and Laozi The Status of the Laozi and the Texts Ascribed to Confucius The Implied Reader and His Education The Countertexts The Homogeneity Hypothesis The Potentiality of the Text: Comparing Different Commentary Constructions of the Laozi Example 1: Laozi 17.1 Example 2: Laozi 6 Example 3: Laozi 11 Conclusions 5. The Craft of Wang Bi's Commentary Introduction Integration of Commentary and Text Emphatic Rejection of Other Readings Explaining Metaphors, Similes, Comparisons, and Symbols Insertion of Subject Defining Terms through Equivalence Translating the Text Merging Terms and Structures Conclusions Notes Bibliography Subject Index

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