Zero to infinity : Arte povera 1962-1972
著者
書誌事項
Zero to infinity : Arte povera 1962-1972
Walker Art Center , Tate Modern, c2001
大学図書館所蔵 全9件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Exhibition catalogue
Published on the occasion of the same name exhibition tour, organized by the Walker Art Center, Minneapolis, and the Tate Modern, London
"Tate Modern, London, May 31, 2001-August 19, 2001; Walker Art Center, Minneapolis, October 13, 2001-January 13, 2002; The Museum of Contemporary Art, Los Angeles, March 10, 2002-August 11, 2002; Hirschhorn Museum and Sculpture Garden, Washington, D.C., October 17, 2002-January 12, 2003"--Colophon
"Richard Flood and Frances Morris, curators"--T.p.
Bibliography: p.351-354
内容説明・目次
内容説明
Arte Povera (poor art) came of age in the context of the economic boom of the "Italian miracle" and the subsequent student and workers' revolts of 1968. Its work was motivated by an urge to revolt against not only the primacy achieved by painting in the postwar period, but also against certain aspects of the emerging consumer culture. Published to accompany an exhibition organized in a collaboration between the Walker Art Center, Minneapolis, and the Tate Modern, this book provides a retropective of the Arte Povera movement as a historical and aesthetic phenomenon that crossed a wide range of disciplines, including sculpture, installation, drawing and photography as well as film and performance. Artists included are: Giovanni Anselmo, Alighero Boetti; Pier Paulo Calzolari, Luciano Fabro, Piero Gilardi, Jannis Kounellis, Mario Merz, Giulio Paolini, Pino Pascali, Giuseppe Penone, Michelangelo Pistoletto, Emilio Prini, and Gilberto Zorio.
目次
The catalogue features rare historical documentation and, in addition to an introduction provided by the curators of the exhibition, contains an interview with critic Germano Celant, an illustrated timeline of the cultural and political milieu by Dr. Giorgia Bottinelli, and essays by Francesco Bonami, art historian Carolyn Christov-Bakargiev, Robert Lumley, Professor of Italian Cultural Studies, University of London, art historian Corinna Criticos, Karen Pinkus, Professor of French and Italian, University of Southern California, Los Angeles, and Judith Russi Kirshner, Dean of the College of Architecture and the Arts, University of Illinois, Chicago. Additionally, there are profiles of each artist, a selected bibliography, and extensive illustrations of their work.
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