The Cambridge companion to Velázquez

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The Cambridge companion to Velázquez

edited by Suzanne L. Stratton-Pruitt

Cambridge University Press, 2002

  • : hbk
  • : pbk

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注記

Includes bibliographical references (p. 237-243) and index

内容説明・目次

内容説明

The Cambridge Companion to Velazquez, first published in 2002, offers a synthetic overview of one of the greatest painters of Golden Age Spain and seventeenth century Europe as a whole. With contributions from art historians and those working in other disciplines, this book offers fresh approaches to the vast literature on this artist. Velazquez's portraits of his patron, King Philip IV, and his wives are examined by two historians in an effort to reconstruct their reception and readings by contemporaries. Two historians of Golden Age Spanish literature provide an interdisciplinary account of the relationships between poetry, theater, and the visual arts at the Spanish court, as practiced by Velazquez, the poet Francisco de Quevedo and the dramatist, Calderon de la Barca. An expert on the history of Spanish music offers an unprecedented examination of how instruments 'play' in Velazquez's compositions.

目次

  • 1. Introduction: a brief history of Velazquez literature Suzanne L. Stratton-Pruit
  • 2. Becoming an artist in seventeenth-century Spain Zahira Veliz
  • 3. Velazquez and Italy Jonathan Brown
  • 4. Velazquez and the North Alexander Vergara
  • 5. 'Sacred and terrifying gazes': languages and images of power in Early Modern Spain Antonio Feros
  • 6. Court women in the Spain of Velazquez Magdalena S. Sanchez
  • 7. Spanish religious life in the age of Velazquez Sara T. Nalle
  • 8. Velazquez and two poets of the Baroque: Luis de Gongora and Francisco de Quevedo Lia Schwartz
  • 9. Calderon de la Barca, playwright at court Margaret R. Greer
  • 10. Three paintings, a double lyre, opera, and Eliche's Venus: Velazquez and music in the Royal Court in Madrid Louise K. Stein.

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