Colonialist photography : imag(in)ing race and place
著者
書誌事項
Colonialist photography : imag(in)ing race and place
（Documenting the image, v. 9）
Routledge, 2002
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注記
Includes bibliographical references (p. 316-319) and index
内容説明・目次
内容説明
Colonialist Photography is an absorbing collection of essays and photographs exploring the relationship between photography and European and American colonialism. The book is packed with well over a hundred captivating images, ranging from the first experiments with photography as a documentary medium up to the decolonization of many regions after World War II.
Reinforcing a broad range of Western assumptions and prejudices, Eleanor M. Hight and Gary D. Sampson argue that such images often assisted in the construction of a colonial culture.
目次
1 Introduction: Photography, "race", and post-colonial theory 2 Laying ghosts to rest 3 Rewriting the Nubian figure in the photograph: Maxime Du Camp's "cultural hypochondria" 4 "A pure labor of love": A publishing history of The People of India 5 Unmasking the colonial picturesque: Samuel Bourne's photographs of Barrackpore Park 6 Picturing alterity: Representational strategies in Victorian type photographs of Ottoman men 7 The many lives of Beato's "beauties" 8 Colonial collecting: French women and Algerian cartes postales 9 Photography and the emergence of the Pacific cruise: Rethinking the representational crisis in colonial photography 10 Advertising paradise: Hawai'i in art, anthropology, and commercial photography 11 Capturing race: Anthropology and photography in German and Austrian prisoner-of-war camps during World War I 12 Germaine Krull and L'Amitie noire: World War II and French colonialist film 13 "A better place to live": Government agency photography and the transformations of the Puerto Rican Jibaro
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