The potter's brush : the Kenzan style in Japanese ceramics
著者
書誌事項
The potter's brush : the Kenzan style in Japanese ceramics
Freer Gallery of Art : Arthur M. Sackler Gallery, Smithonian Institution , Distributed in the USA and Canada by Rizzoli International, 2001
大学図書館所蔵 全16件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Exhibition catalogue
Published to accompany an exhibition at the Freer Gallery of Art, Arthur M. Sackler Gallery, Smithsonian Institution, Dec. 9, 2001-Oct. 27, 2002
"In association with Merrell"
Includes bibliographical references and index
内容説明・目次
内容説明
Ogata Kenzan (1663-1743) is celebrated as Japan's first and foremost individual potter. His reputation is both a product of his own time and of the modern age: the esteem in which he was held in Japan was ignited in the West as critics, art dealers, and collectors vied for his colorfully painted and inscribed work at the beginning of the twentieth century. Charles Lang Freer (1854-1919) was the world's principal collector of Kenzan wares, acquiring artifacts ranging from original pieces by Kenzan to late nineteenth-century forgeries. This range is presented here for the first time. The story of Freer's collection uncovers the secret history of the complex relationships between makers and connoisseurs, and between individual creativity and artisanal work, relationships that often operate across centuries. Abundantly illustrated in full color, with a complete inventory of the Freer Collection, this radical survey offers new ways of looking at both the works themselves and the strategies whereby their status has been established in the art world.
「Nielsen BookData」 より