Japanese prints during the allied occupation, 1945-1952 : Onchi Kōshirō, Ernst Hacker and the First Thursday Society
著者
書誌事項
Japanese prints during the allied occupation, 1945-1952 : Onchi Kōshirō, Ernst Hacker and the First Thursday Society
British Museum Press, 2002
大学図書館所蔵 全11件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Bibliography: p. [126]-128
内容説明・目次
内容説明
In 1945 much of urban Japan lay in ruins and the land was for the first time in history occupied by foreign powers. To many Japanese it seemed that everything had been lost, but in fact the nation was quickly to demonstrate its ability to recover - the years between between the 1945 and 1952 became a period of steady progress and considerable achievement in the visual arts. This catalogue examines how one school of printmakers, under the leadership of Onchi Koshiro, found themselves among those calling for a new search for the nation's heart in its aesthetic traditions.
目次
- Part 1 Introduction: Japanese prints during the Pacific War
- the beginning of the Occupation
- Onchi and the First Thursday Society
- Ernst Hacker - Vienna and New York
- Hacker and the Onchi family, 1946
- influence of American critics and customers 1946-1956
- Hacker's later work, and the influence of Onchi
- Onchi's later years - correspondence with Hacker. Part 2 Catalogue: the Hacker collection - prints and portfolios by Onchi, prints by Munakata, the 1946 First Thursday Society portfolio
- memorabilia and photographs
- selection of prints by Hacker
- related prints from the BM's collections. Part 3 Handlist - works by Onchi in the British Museum.
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