Richard Wilson
著者
書誌事項
Richard Wilson
Merrell, 2001
大学図書館所蔵 全6件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Bibliography: p. 224
内容説明・目次
内容説明
Richard Wilson is one of the foremost exponents of installation art working in the world today. His seminal work 20:50, a sea of reflective sump oil permanently installed in the Saatchi Collection, London, has been described as "one of the masterpieces of the twentieth century." More recent pieces that have generated universal critical acclaim include Slice of Reality, a 70-foot high vertical cross-section of a 600-ton dredger located in the Thames next to the Millennium Dome in London, and Set North for Japan, a full-scale steel framework replica of the artist's own house, displaced and inverted in the Japanese countryside. This, the first monograph on the artist, examines the full spectrum of his work, moving from models, drawings, and his many gallery-based projects to collaborations with architects and engineers to realize such major architectural interventions as Over Easy, a 25-foot, imperceptibly rotating, disc-shaped section of a building's facade that challenges our collective expectation and experience of how space and materials should behave. Richard Wilson includes more than fifty pieces made over the past twenty years, as well as a comprehensive checklist that also includes earlier projects from the 1970s, offering a long overdue survey of the work of one of the most important artists of modern times.
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