Salvage
著者
書誌事項
Salvage
(The coast of Utopia / Tom Stoppard, pt. 3)
Faber and Faber, 2002
- : hbk
- : pbk
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
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  埼玉
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  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
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注記
"Salvage" was first performed in the Olivier auditorium of the National Theatre, London, as the third part of "The coast of Utopia" trilogy, on 19 July 2002
内容説明・目次
- 巻冊次
-
: hbk ISBN 9780571216642
内容説明
This play is one of three sequential, self-contained plays which tell the story of some of the main actors in the drama of Russian radical opposition in the years pivoted on the European revolutions of 1848. The trilogy spans the early 1830s and the late 1860s, the period of activity of Alexander Herzen, the founder of Russian populism. Herzen's career intersected several others of equal interest, including those of Michael Bakunin, the progenitor of anarchism who challenged Marx for the political souls of the masses; of the writer Ivan Turgenev; and of Vissarion Belinsky, the brilliant, erratic young critic whose name continued to reverberate through the Bolshevik ascendancy 70 years after his early death.
- 巻冊次
-
: pbk ISBN 9780571216659
内容説明
Salvage is the final part of Tom Stoppard's trilogy The Coast of Utopia. It is 1852. Alexander Herzen, who left Russia five years earlier, has arrived in London in retreat from a series of public and private calamities. Revolution in Europe has hit the rocks. 'I have lost every illusion dear to me,' he says. 'I'm forty. The world will hear no more of me.' But emigre circles in London (including Karl Marx) are buzzing with plots and intrigues, and Herzen's money, as well as his sardonic wit, soon have an outlet among them. With the accession of Alexander II, 'the Reforming Tsar', Herzen's revived spirits are boosted by the arrival of his childhood friend Nicholas Ogarev with his wife Natalie. Their journal 'The Bell', smuggled into Russia, enters its heyday in the struggle for the emancipation of the serfs. Will it be reform from above or revolution from below? At home the 'new men' who once looked on Herzen as their inspiration are in a hurry, and in London he is once more at odds with Michael Bakunin, who has escaped from exile in Siberia. Meanwhile Natalie Ogarev finds in him her romantic ideal, and Herzen's public and private travails are far from over.
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