Drawing acts : studies in graphic expression and representation
著者
書誌事項
Drawing acts : studies in graphic expression and representation
Cambridge University Press, 2002
大学図書館所蔵 全6件
注記
Bibliography: p. 389-404
Includes index
内容説明・目次
内容説明
Drawing Acts is about drawing, both as art and act. Taking the study of drawings beyond the traditional agenda of connoisseurship, David Rosand explores the significance of the making of drawings, the meaning in the line of the draftsman, and the recreative dimension of critical response. The book focuses on drawings by artists such as Leonardo da Vinci, Raphael, Michelangelo, Rembrandt, Piranesi, Tiepolo and Picasso, as well as on the history and theory of the medium itself. It seeks to establish new foundations for the criticism and appreciation of drawing, which is often considered the most revealing record of artistic creativity, offering the most direct expression of the artistic self.
目次
- 1. Criticism, connoisseurship, and the phenomenology of drawing
- 2. Disegno: the invention of an art
- 3. The handwriting of the self: Leonardo da Vinci
- 4. Raphael and the calligraphy of classicism
- 5. Disegni a stampa: the printed line
- 6. Michelangelo: the urgent gesture
- 7. Rembrandt's reach
- 8. Capriccio: the antic line.
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