The flute
Author(s)
Bibliographic Information
The flute
（The Yale musical instrument series）
Yale University Press, c2002
- : hbk
- : pbk.
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Note
Includes bibliographicl references (p. [283]-334) and index
Description and Table of Contents
- Volume
-
: hbk ISBN 9780300093414
Description
The story of the flute in the musical life of Europe and North America from the 12th century to the 21st. It seeks to illustrate the relationship that has bound the instrument, its music, and performance technique together through eight centuries of shifting musical tastes and practices. In a comprehensive account of the flute's development, Powell takes account of modern research: on military flutes and fifes of the 15th century; the Renaissance consort flute; baroque and classical instruments; mechanically-advanced 19th-century designs by Theobald Boehm and others; and further innovations that led to the modern flute. All these transformations are related to revolutions in playing style and repertoire, in the lives of flute players and makers, and in uses of the instrument to play military, religious, consort, solo, chamber, opera, symphony, jazz, popular and flute band music. The role of amateur flutists receives consideration alongside the influence of famous players and teachers. This guide to the heritage of the flute should be of interest to both those who play the flute and those who love its music.
- Volume
-
: pbk. ISBN 9780300094985
Description
This book tells the story of the flute in the musical life of Europe and North America from the twelfth century to the present day. It is the first history to illustrate the relationship that has bound the instrument, its music, and performance technique together through eight centuries of shifting musical tastes and practices.
In a comprehensive and authoritative account of the flute's development, Ardal Powell takes full account of recent research: on military flutes and fifes of the fifteenth century, the renaissance consort flute, baroque and classical instruments, mechanically advanced nineteenth-century designs by Theobald Boehm and others, and further innovations that led to the modern flute.
All these transformations are related to revolutions in playing style and repertoire, in the lives of flute players and makers, and in the uses of the instrument to play military, religious, consort, solo, chamber, opera, symphony, jazz, popular, and flute band music. For the first time the role of amateur flutists receives due consideration alongside the influence of famous players and teachers. The ultimate guide to the heritage of the flute, this volume will delight both those who play the flute and those who love its music.
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